Welcome to just about the strangest Five for Friday that I’ve put together so far. I don’t think I could have put together a more diverse collection of songs if I’d tried. Which obviously I didn’t.
MP3 Death From Above 1979 - Romantic Rights (expired) (You’re A Woman, I’m A Machine, 2004)
I don’t really like Death From Above 1979 very much, no matter how much I try. I really like this song, and I enjoy ‘You’re Lovely (But You’ve Got Lots Of Problems)’, but that’s about where it ends for me. Despite this general dislike though, ‘Romantic Rights’ has somehow managed to become one of my favourite songs. I think it’s just the sound of it that works for me. There is so much energy (all from the bass) in this song that it runs the risk of becoming a little too much at times. Look beyond that, and it’s actually quite a sweet song in a roundabout kind of way.
MP3 Weezer - El Scorcho (expired) (Pinkerton, 1996)
‘El Scorcho’ is my favourite Weezer song and one of my overall favourite songs. This to me is an example of the perfect love song. It’s not sentimental, nor is it overly morbid. Covering the usual Rivers ground of meeting an awesome girl but not having the guts to do anything about it, the appeal in ‘El Scorcho’ comes from the little details. With lyrics like “I asked you to go to the Green Day concert / You said you’d never heard of them / How cool is that?” and an aside on wrestling, it allows the characters in the song to become more real than the usual cardboard cutouts fold in this kind of song. This is also about as open as Rivers ever got on record (”How stupid is it? I can’t talk about / I’ve got to sing about it and make a record of my heart”), and in the context of ‘Pinkerton’ as a whole, it all comes together wonderfully.
MP3 Death Cab For Cutie - Steadier Footing (expired) (The Photo Album, 2001)
‘The Photo Album’ remains Death Cab’s finest work to me, and this song is pretty much the best thing on it. All the more impressively, it’s less than two minutes in length, yet has as much impact as any other song on the album. A mournful story about a guy talking to the girl he has a crush on before they all go their separate ways. They spend the time being nostalgic (”We just talk about the people we’ve met in the past five years / and will we remember them in ten more?”) before reaching the final, brutal realisation.: “I let you bum a smoke / You quit this winter past / I’ve tried twice before / But like this, it just will not last”. Absolutely perfect. Oh how I wish Gibbard would still write them like this.
MP3 The Streets - The Irony Of It All (expired) (Original Pirate Material, 2002)
It took me a long time to accept that I like a fair number of songs by The Streets. I previously dismissed them as a band for, well, the kind of people who are currently outside waving England flags. The problem in this is that the demographic of The Streets has changed. Those flag waving morons are fans of The Streets now, whereas on 2002’s ‘Original Pirate Material’, they were largely the target of Skinner’s songs. Much of that album is far more intelligent than their current material, and it’s sad that they have gone down the lowest common denominator route. Particularly when they had intelligent things to say, like on ‘The Irony Of It All’. The entire song is a debate between “Terry”, a larger lout, a “Tim”, a stoner. Each of them puts across their case about drinking the legalisation of cannabis. Obviously Tim is the more sensible, putting across a far more sensible argument than Terry. Would The Streets make a song these days that is essentially four minutes of mocking the loaded up on beer idiots that now make up their audience? Probably not, and that’s unforunate.
MP3 Hamell On Trial - Inquiring Minds (expired) (Songs For Parents Who Enjoy Drugs, 2006)
I can’t seem to get into Hamell On Trial, as I find the “funny” elements of the music wears thin pretty quickly, particularly given the puerile nature of much of it. I like ‘Inquiring Minds’ a lot though, a fun story of a father deciding what he is going to tell his son when he starts asking awkward questions about drugs, sex and crime. His basic conclusion is that “I’m gonna lie, I’m gonna lie, I’m gonna lie”. Which is probably best, as some of the stuff he talks about in this song would probably traumatise the poor kid if he decided to tell him the truth. It’s all good fun anyway, the whimsical guitar sound adding to the effect.
I got my tickets for the Electric Gardens Festival today, so over the coming weeks I’m going to preview some of the bands that will be playing there, largely because I want to learn about a number of them myself. There’s some other good stuff coming up over the weekend, to the point where I’m actually getting a little backlogged in my posts here. It doesn’t really help that my thumb feels like it’s going to fall off after a little bit of typing, but I’m keeping up the best I can.