Only three songs for the “leftovers” section this month. As we head toward the end of the year, the number of indie releases seems to wind down making finding new material a little harder than usual. Still, this brings the advantage of letting me go back over some of the great records I may have missed over the course of the year. Any recommendations for small albums that I may have missed over the past year?

PocketbooksMP3 – Cross The Line (expired)
I first wrote about Pocketbooks more than four months ago and I still haven’t been able to find a picture of them in the time since. I’m starting to think they may not actually exist, or that they are cartoons like Gorillaz or something. Anyway, who cares what they look like when they throwing out top notch low-fi twee indie pop? ‘Cross the Line’ is the first song released from their new batch of recordings, and it’s easily cemented itself in place as one of my favourites of the year so far. Full of lovely imagery (it opens with “I’m asleep on a train on the Zone 2 boundary”) and basically continues as a back and forth conversation between the male and female vocalists. This takes on a nicely self-aware twist when she starts calling him on the honesty of his lyrics (“As a kid I would run through the fields and orchards” / “What about your hayfever though?” / “I’d climb the branches to the top” / “What, with your vertigo?” / “Look, I’m making all this up”). Extra points also have to be awarded for being the first song I’m aware of that actually slots in the term “Oyster card” without being entirely tacky.

MP3 – Such Great Heights (expired)
For the 57th cover of ’s ‘Such Great Heights’, Ben Folds decides to take a stab at it. This was actually an in-studio radio performance so the production values aren’t really the highest, but it’s an interesting cover none the less. As it’s Ben Folds, obviously a piano plays a very heavy part in the preceedings, with him almost pounding the poor piano to death over the course of the four minutes. Which unfortunately leaves it feeling a little more overbearing than it should. Other than that, it’s a pretty straight up cover, aside from one odd changing of one of the lyrics to include the word “shit”. Which is just a tad jarring on first listening.

Via AudioMP3 Via Audio – We Can Be Good
are a New York indie pop band who have been making music for about three years but everything seems to be coming together for them now. Chris Walla of Death Cab For Cutie calls them his “new favourite band” and Jim Eno of Spoon liked them so much that he offered to produce their record. That record (‘Say Something’) is still in the mixing stage, but the band have made a couple of songs from it available on the internet. ‘We Can Be Good’ is my favourite of these. It’s a simple pop song about a girl trying to tell a guy that they would be great together. It’s full of lovely harmonies and some instrumentation that borders on precious. These guys will certainly be ones to watch over the next year or so to see what else they come up with.

I Control Music?

Well I probably don’t, but it’s certainly starting to feel that way. Over the past week or so, four of the unsigned artists I’ve written about on Another Form of Relief have signed pretty important record deals. I already mentioned Kate Nash signing to Universal. On top of that, we have Play Radio Play signing to Island, Jenny Owen Youngs signing to Nettwerk and Los Campesinos! signing to.. someone. Of course, my original comment was meant in jest and I have no delusions of grandeur about this place. I think it is somewhat indicitive that blogs in general are (as Frank Debarge would put it) the ‘tastemakers’ now. That or I just have an uncanny ability to write about those who will hit the big time anyway. Either way.