Another Form of Relief

Here we are at my first end of year listings as a blogger. It’s all very exciting and all, and I’d like to think I’m doing things a little differently. There will be absolutely no album list anywhere on this blog. This is because I don’t tend to listen to albums anymore. Yes, I know this makes me some kind of charlatan, but I may as well be honest about it. I’m all about the quick burst of the song these days. As such, over the next five days, we’ll be running down my favourite 49 songs of 2006. Now, I know this list isn’t perfect. There’s probably a bunch of songs from 2005 in here too, but if I only discovered them for whatever reason in 2006, they made the list anyway. Seeing as this is a lot of songs to write about, I’m only going to cover some of them. On others I will just use the original comments I posted earlier on in the year. Not that it really matters, as it’s the mp3s that people want, not my rambling comments. Anyway, I now present Another Form of Relief’s first annual Top 49 Songs of the year:

#49
The Victorian English Gentleman’s Club
‘My Son Spells Backwards’

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“Cumbersome name aside, this three-piece from Cardiff are putting out hyperactive music that falls somewhere in between new wave, punk and electro pop. Their music jumps all over the place, and yet it’s still all alarmingly melodic and catchy, the kind of thing that wouldn’t be out of place on a number of Pixies albums. ‘My Son Spells Backwards’ is so catchy and cheerful you probably won’t catch on at first that it’s all about a special needs kid. Clocking in at under two minutes, it’s an incredibly efficient little ditty, not wasting even a second of the song. It jangles, it rocks, and it features that favourite of mine, duelling vocals. This was included as a b-side on their last single, given an indication of how solid their material already is if this can be spared as a secondary song.” - originally posted April 10.

#48
Odeon Beatclub
‘Take It Off’

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Odeon Beatclub are another band to come off of the production line for great music that is Glasgow. Having spent time supporting the likes of Snow Patrol and Babyshambles, they are building quite a cult following in their native land, and if there’s any justice in this world, that will spread south of the border too. There’s nothing all that new to be heard here, but for solid, catchy songs, you don’t need to look any further than ‘Take It Off’, their single from earlier this year.

#47
The Foundry Field Recordings
‘Buried Beneath The Winter Frames’

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Isn’t it perfect that in the same year as Grandaddy decide to call it a day, their natural successor seems to appear out of nowhere? Of course, that is a little unfair on The Foundry Field Recordings, but there is certainly a hell of a lot of Grandaddy in their sound. Their album was full of the kind of randomness that made that band a joy, and while ‘Buried Beneath The Winter Frames’ may tone down the eccentricities, it’s probably their most catchy and accessible song.

#46
Pants Yell!
‘Your Feelings Don’t Show’

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I used the term “dorky charm” when I first wrote about Pants Yell!, and that term seems to sum the band up far more concisely than anything I’d be able to write in this paragraph. A delightfully simple tale about running into an ex-girlfriend and then wondering in the back of your mind whether the meeting was an accident or not, but being far too spineless to actually ask if that was the case. Pants Yell! have an entirely catalogue of songs like this, and singling one out for this list was pretty hard, but ‘Your Feelings Don’t Show’ just about manages to edge the others out.

#45
Beeches
‘Sin Nombre’

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I discovered Beeches earlier on in the year when they sent me some of their music, but it only really clicked with me how great they are once I saw them live a little while later. These guys know how to put on a hell of a show, giving their songs even more life than they already have on the recorded versions. I even had the honour of having them play at Another Form of Relief’s first promoted gig in December, where they put on a fantastic set, even if not many people were there to watch. Like a lot of great songs, ‘Sin Nombre’ didn’t really grab me immediately, and it was only after several listens to their CD that it won me over. I still couldn’t really tell you what it’s about, but it certainly sounds good.

#44
Battle
‘Tendency’

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“We may as well get the lame comparisons out of the way now, so yes, Battle do sound rather like Bloc Party, particularly on ‘Tendency’. Please don’t let that put you off though, as it sounds like one of those rare good Bloc Party songs. The guitars jerk all over the place, the bass drives and the drumming keeps it all in line. All this while Jason Bavanandan belts out words in such a manner that it sounds like it could actually be physically painful for him to do so. This adds to the urgency of the song though. As for the song itself, it’s a suitably downbeat tale about how crappy life can be at times. “I know I dance like a drunken arse / Every weekend, it’s my only vice / Let me drink myself to death / To forget about the rent” asks Bavanandan, sounding as if it’s what he really wants to do. Ultimately though it’s a love story about loving a girl, but knowing that it’s probably not going to work out as it only really goes one way. I like the whole realist point of view this gives the song, rather than the usual optimism or complete pessimism that usually appears in songs of this nature.” - originally posted June 27.

#43
Nathan Asher & The Infantry
‘Turn Up The Faders’

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“‘Turn Up The Faders’ is hands down one of the best songs that I have heard this year. It also confirmed exactly what the comparisons had promised: somehow this young, unsigned band had a sound that evokes both Bright Eyes and Springsteen. Asher’s vocals are very similiar to Oberst’s, partly shaking yet also full of power. He drives through the song with such urgency that you’d think that lives depended on it. This is supported ably by some excellent instrumentation, including a fantastic piano breakdown toward the end of the song that could have come straight off of ‘Born To Run’.” - originally posted May 19.

#42
The Amateurs
‘Things You Only Know If You Don’t Drive’

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Delightful twee pop from Edinburgh that would be far too easy to compare to Belle & Sebastian. With male-female vocals and a truckload of cute little references, it’s just a joy to see British bands actually trying this kind of thing. The song itself is exactly what it says in the title: all about how buses come in groups and what shoes to wear in the rain. It runs out of steam a little bit before the end, but it’s still so wonderfully catchy that it’s impossible to ignore.

#41
The Young Knives
‘She’s Attracted To’

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The Young Knives seem to get a lot of flack, but I think they are one of the best of the current crop of “popular” British bands. Of course, me being the unaware person that I am was entirely oblivious to them until I was dragged to see them at a festival in August. They won me over very quickly though, putting on a great high energy performance, which included this song. It’s probably not their most developed song, but it’s the one that I enjoy the most. A simple tale about liking a girl but hating her parents, it’s just a hell of a lot of fun.

#40
Math & Physics Club
‘Darling, Please Come Home’

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“‘Darling, Please Come Home’ builds on the promise of last year’s two EPs, bringing us a simple tale of a lost love. Nothing here will sound all that different if you’re already familiar with twee pop, but the point here is that MAPC are as good as, if not better, than any other band working in the genre at the moment. It’s percussion is steady, the guitar work gentle and Charles’ vocal manages to somehow be incredibly restrained and while still emotive. If this is an indication of the rest of the album, we could be looking at one of the best of the year.” - originally posted October 5.

Feel free to join me again in the coming days as we’ll be counting down ten songs each day with the final nine being revealed on December 30.

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