Death Cab for Cutie

now
Well crafted yet turgidly dull radio friendly pop songs.

then
A masterclass in songcraft. The drum drives the song forward bleakly yet relentlessly with a hollow beat. A surprisingly morose tale of meaningless sex brought to life via some of Gibbard’s finest lines (“I think I’m drunk enough to drive you home now“). Throw in some fantastic wordplay (“Sad sorry state, stutter step to those slammin’ groves“), and you end up with more emotion in a couple of minutes than they manage on an album these days.