Archive for July, 2009
Indietracks 2009 in photos
0Well, that was just about the most perfect weekend ever.
A proper review (you know, with words and stuff) will be following tomorrow, but here are 134 pictures from the joy that was Indietracks 2009.
As usual, you can click through to Flickr for the full size versions.
If we were in charge of.. The Mercury Music Prize
1When I was first approached by BBC Music to put together a list of albums I think should be nominated for the Mercury Music Prize, I was initially hesitant. First of all because I don’t much care for awards, and if I’m honest, have never paid attention to the Mercury Prize. Secondly, because I hardly ever listen to complete albums these days. I want to be an elitist snob and pretend that I do, but most of my music is absorbed via an iPod on shuffle.
Throwing around the year’s music in my head though, I realised that it’s actually been a bloody good year for British music. I initially came up with a couple of albums, then a couple more, and it kept going from there. In the interests of brevity, I’ve limited the final tally to seven exceptional albums and a handful of honourable mentions at the end. I don’t expect a single one of these to actually be nominated for the prize, but hey, I’m happy to be proved wrong.

God Help The Girl – God Help The Girl
Okay, so it’s not a radical departure for the Belle & Sebastian mould for Stuart Murdoch’s solo/side/whatever project, but that’s no bad thing. It’s not often these days that albums tend to tell a complete story, and that is what we have here. Ably held together by Catherine Ireton and an array of guests, it’s not absolutely perfect – the Funny Little Frog cover is especially misguided – but it unashamedly embraces the album format when everyone else seems to be fleeing from it.
MP3 God Help The Girl – Come Monday Night

Dananananaykroyd – Hey Everyone!
I’m under no illusions that the prize would ever get near an album like this, but that doesn’t make it any less deserving. To find a band with this much energy on stage is rare enough in itself, but to get the same urgency on record is near impossible. Dananananaykroyd manage it, giving us one of the finest debut albums in years. It’s loud, it’s messy, and it’s a hell of a lot of fun.
MP3 Dananananaykroyd – Pink Sabbath

Camera Obscura – My Maudlin Career
Camera Obscura give us three out of three so far for the Scots. It felt like Camera Obscura had reached their peak with their previous album Let’s Get Out Of This Country. Then My Maudlin Career pops up and blows it out of the water with it’s beautifully textured songs. It’s taken more than a decade, but this is the album Camera Obscura were destined to make.
MP3 Camera Obscura – My Maudlin Career

Emmy the Great – First Love
Out of all of the albums on this list, I’d imagine First Love is the one most likely to turn up on any Mercury lists if any of them do. I can’t quite pinpoint why, but Emmy does seem to fit the slightly left of the centre singer-songwriter style that seems to have made the lists in previous years. The album is a grower for sure, but there is some stunning songwriting on display here. Emmy has only barely scratched the surface of what she is capable of.
MP3 Emmy the Great – We Almost Had A Baby

Los Campesinos! – We Are Beautiful, We Are Doomed
Los Campesinos! remain the most posted band on this blog, and rightly so. Coming out with a good first album and then following it up with one of the best albums of the year within six months is no mean feat. Evolving beyond the “tweexcore” fun of the first, this is an album that actually has emotional depth and philosophy added to the proceedings. All while still continuing to sound like quite nothing else that’s around at the moment.
MP3 Los Campesinos! – We Are Beautiful, We Are Doomed

Thomas Tantrum – Thomas Tantrum
Thomas Tantrum pick up right where the dearly missed Life Without Buildings left off. Rough, random songs jump all over the place, but the appeal here is in the voice of Megan Thomas. Breezily floating between gentle and slightly unhinged, she gives the songs an unpredictable air. That their debut album is so strong is all the more impressive given they were a pretty mediocre live band only a year earlier.
Video Thomas Tantrum – Work It

Aidan Moffat & The Best Ofs – How To Get To Heaven From Scotland
Seems only fitting that we end with yet another Scottish album, resulting in them making up more than half of the list. It’s taken Aidan Moffat a little while to find the project that suits him after Arab Strap split, but The Best Ofs seems to be it. Allowing his songwriting and voice to be front and centre plays right into his strengths and results in an album more consistent than anything he and Middleton put out.
MP3 Aidan Moffat & The Best Ofs – Big Blonde
Honourable mentions
Fanfarlo – Reservoir
It Hugs Back – Inside Your Guitar
Ballboy – I Worked On The Ships
Sky Larkin – The Golden Spike
Fight Like Apes: Something trendy at the mo’
0Why is that I always properly discover a band immediately after having a chance to see them? I’ve been aware of Fight Like Apes for a while, and even knew their reputation was good enough to wander to their stage at Hop Farm last week. Not knowing what to expect, I stayed for about a song and a half, thought “eh, s’alright” and wandered back out again. A week and a half later, and I have their album on continuous rotation. Such is life I suppose.
Fight Like Apes are an Irish band, and typing that it suddenly strikes me how few Irish bands I tend to know or like. What took me by surprise is how varied the album (which clocks in at only 35 minutes) manages to be. From the outset, it gives the impression of hard and fast rock, with unrelenting vocals spat out over the top. As one progresses through the album though, a slight tenderness starts to creep in. Nothing much, just the odd grounded emotional comment or observation. Of course, it’s not long before we’re back to the aggressive territory, but it adds a depth that you don’t entirely expect.
Those two extremes are demonstrated in the songs here. The video above is for Something Global, the first track on the first album. It leaps out with so much energy you wouldn’t how they can keep it up for the rest of the album. Lumpy Dough, below, is at the other end of the scale. A slowed down, electronic number that still manages to rise to one hell of a noisy climax. These two songs really shouldn’t well together at all, but they end up complimenting each other perfectly.
And The Mystery Of The Golden Medallion is out now on Model Citizen Records.
Emmy the Great: now living up to her name!
0
If there is one artist that I’ve really turned around on over the past year, it’s Emmy the Great. It was quite a few years ago that I first heard her, and I liked a couple of songs right from the start, but never got on with most of them. I suspect I was being too quick to judge given it was the slower, more involved songs that I initially stayed away from. I probably should have persisted, but didn’t until about a year ago.
I think it was her set at Reading last year that really won me over. I didn’t know many of the songs that she played, but being right at the front, with excellent sound and appreciative audience, and something seemed to click. I went back to those songs that I ignored the first time and found myself enjoying them a lot more. A few months ago I got First Love, her first full length album, and while there is the odd misstep, it’s one of my favourites of the year.
We Almost Had A Baby is taken from that album, albeit in a slightly different form to the version below. It’s a tale that is rather darker than it initially sounds, with her going over a slightly bitter breakup and wishing she was pregnant so she had something to hold over him. It’s not exactly your typical song material, but it’s that which is the appeal in what Emmy does. Stories littered with believable characters are the showcases here. Something which now seems to be all too rare.
Emmy the Great will be playing at the Southbank Centre on July 19 as part of their Summer Gigs season, ably supported by Aidan Moffat. The Edwards EP will be release on August 10 via Close Harbour.
Hop Farm Festival 2009: A Review
7This past weekend brought the second festival of 2009 for Another Form of Relief. It was a local festival, but one that I never intended on going to given it’s ludicrous £125 ticket cost. Seemingly others thought the same, given ticket sales struggled to such a degree that they were giving £250 of tickets away with £10 items via a clothing store. So, one Kangaroo Poo beach towel later and I had guestlist access to two days of live music. Not too shabby.
Arriving on site at around noon, the car parking was fairly well organised and it wasn’t a long walk (in festival terms) to the box office entrance. Where, of course, we weren’t on the guest list where we should have been. Joining a second queue of people all in the same boat, it took a bit of hassle with customer services, but eventually we got our wristbands and got in.
To be presented with one of the most deserted festival sites known to man.
After exploring the site for a bit and getting our bearings, we headed over to the main stage and caught a bit of Howling Bells. They are a band that I’ve been vaguely aware of but never heard much of it, and I’m happy to say that relationship is perfectly intact after their set. They were fine I suppose, but nothing grabbed me to a degree that I had to rush home and find some of their songs.
Next up were Noah and the Whale, a band I rather like, if not entirely. I love 5 Years Time and a few others, and thankfully they played all of the ones I knew. They weren’t exactly what I expected, the sound of four of them live without the voice of Laura Marling was a little bit odd. Not too bad, but 5 Years Time certainly lost some of it’s shine. The newer songs they played were fine, if not as immediate. I suspect they will be growers though.
After that it was a quick dash over to the stupidly small Third Stage, which had some of the best bands of the weekend. We arrived to find Let’s Wrestle about halfway through their set. They sounded good, replicating their recorded sound incredibly well. The only downside was that they ran out of songs 20 minutes before their set was due to end. It was salvaged my audience participation, an extra long jam session and a boisterous rendition of their signature “let’s fucking wrestle!” that certain members of the audience seemed to take to heart.
The mighty Johnny Foreigner followed them and provided the highlight of the weekend. Their set was littered with new songs, and new renditions of old favourites. The band flirted with some new arrangements too, including one song where Kelly took to the drums and Junior picked up a bass and a couple more songs that made use of a fourth member. Alexei seemed to be having a good time throughout, correcting the MC when taking the stage with “we’re actually Editors” and calling a Twang cover of Bran Van 3000′s Drinking in LA “the worst fucking thing I’ve ever heard” when they were playing the same festival.
Back to the main stage afterwards for Ash, a band where I know the singles and that’s about it. Which is fine given that is mostly what they stuck with, just littering in the odd new song while constantly assuring us they would get back to the hits. All of the usual suspects made it into the set: Burn, Baby Burn and Shining Light, with the superb Girl From Mars providing the first almighty audience sing along of the day.
Off to the Third Stage once again for The Joy Formidable, who to my surprise had completely packed out the tent. I must have missed the point between Reading last year and now where they became massive, but it certainly felt like they had made it. It was a loud, messy set that went over incredibly well and if they aren’t playing headline slots by the end of the year I’ll be amazed.
That was where day one ended for us. The festival itself went on for a few more hours, with The Fratellis and The Pigeon Detectives being the highest acts on the main stage. But given they are shit, why bother staying?
We returned for day two and had a much longer walk from a much further car park. Which was at the very least good exercise.
Ladyhawke is someone I only know via one song that I’ve heard in someone’s car over and over again. I wasn’t expecting anything more than generic dance nonsense, so I was pleasantly surprised by her set. She seemed rather awkward on stage (apparently she has Asperger’s) and was plagued by technical difficulties throughout, but her performance was rather good. Not spectacular by any means, but an enjoyable way to spend 40 minutes.
The Super Furry Animals were up next, a band I’ve never been much of a fan of short of one or two songs. Neither of which they actually played. They were rather fun though, bringing their own “Woah!” and “Applause” audience cue cards. We actually left about halfway through their set to get to the Third Stage, so maybe they did play the songs I like after all.
I’ve read so many things about Dananananaykroyd’s “legendary” live performances, but nothing quite prepared me for what I walked into. Arriving in the tent, the band were just having the audience perform the Wall of Cuddles. They followed this by storming through a song with such ferocity that they immediately blew out an amp. While this was being fixed, the band killed time by telling jokes (“What has eight legs and is harmless to kids?” “The Jackson Four”) and playing a television theme tune quiz. We got through Eastenders, Hollyoaks (“that show sucks balls”) and another before everything was good to go again. The band launched into their second wind even more manically than the first, security trying to drag Callum back on stage from crowdsurfing while singing repeatedly. It was an insane, but utterly fitting show for the band, and I hope to see them playing outside of a festival environment in the future.
If it’s possible to go to sleep while standing in a crowd of people enjoying themselves at a festival, I could have managed it during Doves. Nothing particularly wrong with them at all, just all very uninteresting.
Speaking of uninteresting, Editors were on next. The crowd seemed to enjoy them, so maybe it was just me, but they bored me to tears on the most part. I just spent the time watching the lead singer flail around like a lunatic for seemingly no apparent reason. Never have I so randomly and intently hated a man as much as that guy. Thankfully we left about halfway through and I didn’t have to suffer any more of his twattery.
The last band of the weekend for me were the rather pleasant Rumble Strips. I missed most of their set, but I enjoyed what I saw. The band seemed to be very much on form, even managing to get the brass instruments sounding good in a live setting, which isn’t always an easy feat. I felt kind of bad that I only caught about three of their songs after the event.
And that was it.
Some random observations:
- The security guards were fine at times, dickish at others.
- The bar had nice, cheaply priced drinks.
- The food stalls had crappy, expensive food.
- The toilets (in the bar at least) were excellent by festival standards.
- The Grilled Chicken & Bacon Salad in the Brookers Oast next door to the site is lovely.
- The ridiculously long walk to get in and out of the site (and thus to the pub) was a bit of a git.
- For a festival that prides itself on “no VIP areas” so “everyone has the same experience”, it seems odd to have a VIP bar.
Pretty damn good for the price of a towel though.
Hop Farm Festival 2009 – Day Two
0Photos from Day One can be found here.
The second day of the Hop Farm Festival was a bit busier, presumably due to the headline appearance by Paul Weller. Still fairly well organised, although security seemed a bit more regimented. Everything ran more or less to time, and the music wasn’t too bad, if a little close to middle of the road blandness for me at times.
Highlights today:
- Ladyhawke was surprisingly enjoyable, given I didn’t expect her to be very good at all.
- Dananananaykroyd had an insane set on the Third Stage, including the “wall of cuddles”, band crowdsurfing and technical difficulties masked by a tv theme tune quiz and jokes.
- The grilled chicken and bacon salad I had in the pub next to the site.
Photos below of course. You can still click through to Flickr for the full size versions. Next up on the Another Form of Relief festival tour: Indietracks!
Hop Farm Festival 2009 – Day One
2Photos from Day Two can be found here.
Interesting first day at the Hop Farm Festival down here in Kent. Even with the massive ticket giveaways it has obviously still struggled to fill out the 20,000 capacity. Which is kind of a shame, firstly because it’d be nice to see a local festival succeed, and secondly because it’s actually quite decent. Despite suffering from some odd lineup ordering (The View higher than Ash, really?), it’s a fairly professional, well laid festival.
Highlights today:
- Johnny Foreigner who included a whole bunch of a new material in their drunken set, a new band member on a few songs, saw Kelly and Junior swap positions and more.
- Let’s Wrestle played to a small, but certainly rowdy audience.
- The Joy Formidable seem to have become ten times more popular than when we saw them at Reading last year too, which was a pleasant surprise.
- Ash, who I haven’t heard anything from in the best part of ten years, were really bloody good.
Photos below. You can click through to Flickr for the full size versions. Tomorrow’s lineup includes British Sea Power, The Rumble Strips, Super Furry Animals, Editors and the mighty Dananananaykroyd.





































































































































































































































