Another Form of Relief

It’s looking less and less likely that we’ll be getting a new Belle and Sebastian album anytime soon, but thankfully God Help The Girl is here with the next best thing. God Help The Girl is a project of B&S frontman Stuart Murdoch, who came up with the idea back in 2004. Collaborating with a number of (usually female) singers, the project has created a “story set to music”. Back in my day, we used to call that an album, but I suppose that doesn’t appeal to the youth of today.

The album is mostly made up of new material, although reworked versions of Belle and Sebastian songs Funny Little Frog and Act of the Apostle have found their way into the mix. Various voices contribute to these songs, but it is little known Scottish singer Catherine Ireton that provides the vocals for the majority. And what a voice it is. Every word through Come Monday Night is clearly defined, her voice rising from gentle vulnerability to world weariness in the course of three minutes.

God Help The Girl will be released on June 22 via Rough Trade.

It was about three years ago that I first encountered Scotland Yard Gospel Choir. I found a song on a blog that probably doesn’t exist anymore and was hooked. The song was called Then And Not A Moment Before, which sounded something like Belle and Sebastian on a caffeine high. Investigating the band at the time, I’m sure I recall stories of band friction and came to they conclusion that they weren’t doing much together. Now, either I’m imagining things (quite possible) or they have sorted themselves out, as all I can find now is an active band that is now putting the finishing touches on their second full-length.

Scotland Yard Gospel Choir sound like a band trying to be everything to everyone. Upbeat jangly pop, catchy melodies, unexpected instrumentation, words that seem simplistic one moment, and then abstract the next. It could all too easily be a mess that collapses down on itself, but somehow it manages to hold it’s direction.

Aspidistra perhaps isn’t their strongest track, but it is one of the more memorable. Launching an assault on the eardrums that doesn’t let up for it’s two and a half minute length, detailing our narrator’s past dabbles in the drug trade. All set to a wonderfully cheerful melody and the obligatory handclaps.

Scotland Yard Gospel Choir’s self-titled album is available via Bloodshot Records.

It hasn’t been this bad since my grandpa was a kid
He made it through – he never told us what he did

Has any line summed up the state of the world currently as much as that?

Of all of the bands I’ve had the pleasure of writing about on here, it’s The Young Republic that have developed the most of a band in that time. If I’m honest, I’d been a little apprehensive about the direction the band had been taking of late. Moving to Nashville from Boston and trading in the gentle indiepop of their earlier releases for a more classic rock, Americana influenced kind of sound was a risky gambit. While the results were largely very good, nothing really blew me away in the way those earliest songs did.

That changed when a couple of songs from the band’s upcoming release Balletesque dropped into my inbox though. The instrumentation on The Wolf suggests a band far larger than it’s current six member lineup. Indeed, the band never sounded this rich even as an eight piece. The real revelation here though is the songwriting of Julian Saporiti. Each verse manages to outdo the previous in both content and wordplay. This is certainly the closest he has come to not just writing like Dylan, but sounding like him too. Sure, it’s a lazy comparison given their Isis cover a while back, but we’re well beyond sounding like Belle and Sebastian at this point.

Balletesque will presumably be released in the nearish future.

Great British Hopes celebrates new British music that is really bloody good.

As I was preparing to write this, I came across a fact that threw this piece into question. I tend to write these Great British Hopes pieces as a way of talking up the absolute best from all of the new bands I hear. Doing some research on Butcher Boy though, I discovered that they have been playing for 11 years. Which begs the question of whether they can really be hailed as a hope for the future of music. I decided to go with it though, as regardless of their longevity as a band, this is just too damn good.

Butcher Boy have floated around my mind for a while now. A Drowned In Sound review here, the odd promo email there. Even with that though, I never paid them much attention. I got the impression of another Scottish miserablist, and really, a man who already has a complete Arab Strap collection probably can’t take much more. Then the magic phrase appeared. “Compared to Belle and Sebastian” read the email, and I was in*.

Not that the end result is Belle & Sebastian exactly. Sure, you can hear those elements in the strings, but this is a band that is more down to the earth. Earnest lyrics sung out by someone who has listened to a lot of Smiths records but doesn’t quite know how to be Morrissey. No, if I were to place this on this indie pop landscape, I’d slot it alongside recent Swedish offerings like Jens Lekman or Pelle Carlberg. The sound is certainly British, but it likes to travel.

This kind of indie pop seems to be short supply in the UK at the moment. Butcher Boy may have formed 11 years ago, but with their second album release in three years, one gets a sense that they may have finally found their way.

React or Die will be released in April, but the lovely How Does It Feel To Be Loved? is selling advance copies through their shop right now.

* It occurs that I’ll probably now getting death metal bands mentioning the fact they sound like Belle & Sebastian in their promo emails.

When you have as many excellent songs as Belle and Sebastian do, it’s easy for ones that aren’t so immediate to slip through the cracks. I tend to centre most of my B&S listening around Tigermilk and If You’re Feeling Sinister, their first two albums. There is a lot of good stuff to be found elsewhere though, particularly in their EP releases. Take Your Carriage Clock and Shove It comes from their 2001 Jonathan David EP and it’s far better than I initially gave it credit for. Sweeping orchestral arrangements, verses that build perfectly, and a pleasant, if slightly sparse, story. While it may not rank amongst their best, a solid Belle and Sebastian is far better than the best songs of most bands.

I have absolutely no idea who Dream Bitches are, and from a few quick listens to some of their other songs, I wasn’t won over. That said, I can never pass up a Belle and Sebastian cover, particularly one from the If You’re Feeling Sinister era. It doesn’t get off to a great start given it’s lacking the harmonica that really makes the original, but it’s a pretty decent effort overall. It’s a much more straight up rock song than the original, and doesn’t really go anywhere surprising, but it’s a nice contrast with the original song.

#9
Hello Saferide
‘The Quiz’

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I only discovered Hello Saferide at the end of the year so I haven’t had the chance to write a full post yet, but very few artists have grabbed my attention to the same degree in the past year. Hello Saferide is the solo project of Annika Norlin, a singer songwriter from Sweden. What appeals to me most is that each song has a ton of personality shining through. Norlin isn’t afraid to project herself entirely into her songs, leaving each one with a kind of brutal honesty. The darkness of this is countered by a ton of little knowing references and quirks that just make the whole thing seem so real. At the forefront of this is ‘The Quiz’, the first song from her recent ‘Would You Let Me Play This EP Ten Times A Day?’ EP. She’s found a guy that she gets on well with and likes (even if he has a bit too much scifi in his shelf of DVDs). She’s vulnerable though so she puts together a quiz for him, with questions that range from the mundane (“Do you talk in the middle of Seinfeld?”) to the insecure (“Do you still keep pictures of old girlfriends? / Are they prettier than me?”) to the all important (“If I’d fall / Would you pick me up?”). Kind of a far less annoying version of Alanis’ ‘21 Things I Want In A Lover’.

#8
Art Brut
‘Nag Nag Nag Nag’

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There isn’t really anything new here to the Art Brut formula, but surely that’s half the point? I had minor fears about new material not being a patch on the first album because the novelty would wear off, but despite it’s similarities, ‘Nag Nag Nag Nag’ works just as well for me as the old stuff. The whole thing can be seen as the story of ‘My Little Brother’ after the guy grows up, although I have no idea if that was intentional. Anyway, the Art Brut style remains the same as it was before: driving guitars, random bursts of energy and a witty song about a music dork delivered in Eddie Argos’ usual half-talking, half-shouting, half-singing (yes, I’m aware that’s three halves) style.

#7
4 or 5 Magicians
‘Forever On The Edge’

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“4 or 5 Magicians are a four piece, led by Dan Ormsby, who did pretty much everything on their recorded songs, and takes charge of vocals and guitar duty when the band play live. The most obvious thing in Ormsby is that he has based his style on an influence not often seen in British bands: Stephen Malkmus. ‘Forever On The Edge’ has “slacker anthem” written all over it. A brash, honest song about wasting one’s life and almost depending on becoming famous to be successful (”I’m wasting my time in this band / Pinning all my hopes on getting signed / Well it could happen / Some idiot might sign us”). It’s this kind of witty, self-aware writing that first drew me to the band, and that they have the sound to back it up is even better.” – originally posted July 18.

#6
Belle & Sebastian
‘Funny Little Frog’

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By far the best song on ‘The Life Pursuit’ and one of the finest that Belle and Sebastian have put out in years. The usual B&S staples are here, as well as a couple of new things like a piano, which they really don’t utilise anywhere near enough. Murdoch really throws himself into the vocals too, giving one of his strongest performances since ‘Your Cover’s Blown’. It’s either the official theme song for stalking or a love letter to the Virgin Mary depending on how you listen, bringing just over three minutes of perfection.

#5
Voxtrot
‘The Start of Something’

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I know this technically was released in 2005, but the ‘Raised By Wolves’ EP it’s taken from didn’t get released in the UK until 2006, so I’m going to go with that excuse. Anyway, if you’ve read more than a handful of music blog in your lifetime you’re probably aware of who they are and who they sound like. This one sounds rather like The Smiths, and it’s incredibly good, particularly given that I don’t like The Smiths very much. I’m not entirely sure what it all means, as it seems to change focus an awful lot, but it’s full of wonderful imagery that’s delivered beautifully. If a full album next year doesn’t make them explode into the limelight Death Cab style, I’ll be very surprised.

#4
Kate Nash
‘The Nicest Thing’

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“‘The Nicest Thing’ is up there with the best new songs that I have heard this year. It’s her most stripped down effort, just a sparse acoustic guitar and her voice, which helps an awful lot. This allows her voice, which manages to be both mournful and grounded at the same time, to become the centrepiece of the song. There is also a wonderful knack for random conversational lyrics here (”I wish that you needed me / I wish that you knew when I said two sugars, actually I meant three”). Granted the production is pretty awful here, with the vocals becoming distorted in the louder parts, but even through that the strength of this song shines through. If it were to be cleaned up a little in a studio, it could be amazing.” – originally posted June 15.

#3
The Young Republic
‘Girl From The Northern States’

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The Young Republic are an eight piece (I’m sure there used to be nine though) indie folk pop band from Boston. If you’ve ever been through this blog before, you will have read me rambling about them on a fairly regular basis, so I’ll spare you here. Despite finding it very early on in the year, ‘Girl From The Northern States’ is still one of my most regularly played songs. It’s a gentle, melancholy tale of lost love that sounds more cheerful than it really has any right to. Combine this with a delightful orchestral background and you’ve got what is, for me, an almost perfect pop song.

#2
The Light Footwork
‘The Art of Everyday Communication Part 1′

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The Light Footwork were the perfect example of why I started this blog in the first place. Pushing a band as good them onto unsuspecting readers is what makes this whole thing so worthwhile. A lot of songs come and go, but there are some that grab you immediately and never let go. ‘The Art of Everyday Communication Part 1′ is one of those. It starts off interestingly enough and then jumps up a gear a little way in, morphing into an entirely different song. Constantly time shifting and styles and pitch perfect male-female vocals make for an always surprising but constantly enjoyable listen.

#1
Los Campesinos!
‘You! Me! Dancing!’

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“Los Campesinos! are a seven-piece from Cardiff who have seemingly already mastered how to make the perfect pop song. Best of all, they manage to bring a glockenspiel to the proceedings. Standout song ‘You! Me! Dancing!’ is just sheer joy from start to finish, it’s six and a half minute runtime actually feeling like half that. Jangly guitars combined with harmonising combined with witty, gleeful lyrics, and you’ve got a winning combination.” – originally posted July 4.

I wrote that six months ago and I’ve only grown to love this band even more in the time since. During which I’ve posted more songs from them, including fun things like a Pavement cover and other songs have turned up on the net. I saw them live back in September and will be doing so again in March. When I (and a number of other blogs) first wrote about them, they had around 600 friends on Myspace. They now have over 3000. At that time, they had no label and just a four track demo. They are now signed to Wichita and will be releasing their debut double a-side single in the new year. It cost me £3 to see them last time. It’s going to cost £6.50 this time. What I’m getting at here is that Los Campesinos! have been by far the biggest success story of 2006. Few bands arrive so fully formed and garner so much attention so quickly. I can think of nowhere more deserving though. 2007 should be a hell of a year for them, and us.

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Well that’s my favourite nine songs of the year. It turned into a little bit of a slog toward the end, but I’m pleased with how it all turned out in the end. This brings to an end any kind of organised posting structure until this kind of time last year. This will probably be the last thing that I post in 2006, so I’ll wish you all a happy calender change now. This year has been a hell of a lot of fun for me, and this blog has been a big part of that. So thanks to everybody that stopped by, even if it was just to grab the songs. I’ve got a lot of great music to write about in the early days of 2007, so come on back and let me share the good music with you.

Okay, so I realise that 49 songs is a pretty random number. I don’t entirely know why I chose it. It’s just that 50 seemed rather generic to me. I also know that the ordering on a lot of these songs is slightly absurd. Isn’t #36 really better than #37? I honestly couldn’t tell you as my opinion probably changes from day to day. So take the numbering with a pinch of salt. It’s a rough guide, nothing more. I should also point out that I limited any band to having no more than two songs each in the 49. So much as I would have loved to filled this with Voxtrot, Young Republic or Light Footwork songs, I had to use a little self restraint. So now you know some of my methodology, enjoy the next ten songs.

#39
The Mountain Goats
‘Woke Up New’

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“This isn’t the John Darnielle that we heard on the last two records. The song tells the story of getting used to being alone after the big breakup and uses wonderfully real examples of getting used to being alone (”the first time I made coffee for just myself, I made too much of it”). It all essentially comes down to a refrain of “oh, what will I do without you?”. It isn’t an angry question though, just accepting that this is how things are now.” – originally posted June 17.

#38
Cansei De Ser Sexy
‘This Month, Day 10′

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Probably the most cheerful sounding break-up song of the past year. CSS seem to be about an image just as much as the music, and when it sounds/looks this good, who really cares? There’s nothing overly complex in the arrangements here, just a lot of synth and some rather bored sounding vocals. All of which makes it a hell of a lot of funny, even when the lead singer is belting out lines like “if someday we get to meet again / In a car crash, plane wreck or terrorist attack / Or maybe next thursday night / Don’t bother saying hi”.

#37
National Heroes
‘Riot Vans / CS Cans’

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A glorious assault on the “chav” culture that seems to have almost consumed the UK. I only discovered National Heroes toward the end of the year and don’t know a great deal about them, but they have obviously been listening to a lot of the great British bands. A storming snapshot of modern Britain, covering such lovely topics as teen pregnancy (“Teenage drugs and pregnant mums / Birth control is non-existant”) to the wonderful street racers you encounter on the roads each day (“Boy racers cruising in their financed 205s / Keep touching 90 down the A1205″) all leading to the simple refrain that it’s just “a sign of the times”. Assuming they get noticed, they could be the next big thing for British music in 2007.

#36
Belle & Sebastian
‘Sukie In The Graveyard’

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Even though most seem to love it, ‘The Life Pursuit’ really doesn’t do very much for me. It’s a reasonable enough album with some solid singles, but on the whole it leaves me pretty cold. I guess I fall into the simplistic early Belle and Sebastian camp rather than the things they come up with now. Oh well, it still has those solid singles, and ‘Sukie In The Graveyard’ is one of them. One of the things I really don’t like about new Belle & Sebastian is how Murdoch constantly plays around with different styles of delivery. Ironically, ‘Sukie’ is one of the songs where he does this, pitching the song with a heavily accented, rapid delivery, and yet it works for it perfectly. The song sounds cheerful enough until you actually listen the words, where it becomes a rather dark tale of a girl kicked out of her house who ends up posing nude to make ends meet. Not that she seems to care of course. Oh Belle and Sebastian, and your wonderful shades of grey.

#35
Royal Treatment Plant
‘You Don’t Need Me’

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Royal Treatment Plant are a band that I went from hating to really liking within the course of a month. I really disliked them when I saw them live in September, but I got their CD in the mail a few days later and I really liked it. I’m not sure what didn’t click the first time around, but it was this song that largely won me over. It’s full of driving guitars and some fantastic passive-agressive vocals sung with an urgency that doesn’t often seem to crop up from female fronted British bands.

#34
Play Radio Play
‘Juice Box, Paper Hat and a Line of Pixie Stix’

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If there’s one thing this kid needs, it’s an editor. Which may sound like a harsh way to open, but it’s rather true. Play Radio Play is a 17 year old from Texas who makes simple electronic songs on his computer. A lot of them are pretty awful. But some of the good ones are really good. ‘Juice Box’ is one of them. It’s all pretty whimsical, about escaping from life to a fantasy world where you’re in control, but the delivery and arrangement prove that there is talent here to make Postal Service like electro-pop perfection. He’s just been signed to Island, so hopefully with a little guidance he’ll be able to reign in some of the eccentric elements of his music and come up with something stunning.

#33
Sparrow House
‘When I Am Gone’

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Sparrow House is the solo project of Jared Van Fleet, who is a member of the fantastic Voxtrot. The sound of Sparrow House is nothing like that of Voxtrot though. ‘When I Am Gone’ is from his debut EP, ‘Falls’, and is a stunning folk effort that comes across as a latter day Iron & Wine. A gentle, twanging guitar eases up through the song, while Van Fleet sings his heartbreaking lament over the top. It’s almost enough to wonder exactly what we’d be hearing from this guy if he wasn’t a member of Voxtrot. Almost.

#32
Absentee
‘Something To Bang’

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“This is a band that describes their sound as “Leonard Cohen singing from the trouser backed up with a mix of incompetence and occasional surprise”. So I started to listen to ‘Something To Bang’. It all started normally enough, all garage band guitars and bassline, and then, forty five seconds in, the vocal kicks in. That’s the point where I discovered they really weren’t kidding with the Leonard Cohen thing. Lead singer Dan does have a voice that evokes Cohen, and more importantly, a voice that isn’t usually found in indie rock. Indie rock is often made up of those who can’t really sing but really want to rock out, and the music will disguise that well. The people with the stronger voices seem to go on and do other things. This isn’t exactly a perfect rule, but it fits quite a lot of the time. I guess my point here is that there’s a voice here that you don’t commonly hear. The closest contemporary comparison I can think of is David Berman, and that’s certainly not a bad thing. As the song progresses, more musical flourishes enter. There are keyboards in here, sneaky little riffs and a bunch of other fun stuff. All of this results in an indie-country-rock type sound that you don’t often hear coming from bands on this side of the Atlantic.” – originally posted June 24.

#31
The Bright Lights
‘Closed on Monday’

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I discovered The Bright Lights entirely by accident when they headlined a Beeches gig that I’d been invited too. Unfortunately I had to leave before their set was over, but a quick rummage around the internet later showed they had a hell of a lot of talent. The songs aren’t all that bold, but by god they are catchy, with the kind of urgent vocal delivery that makes them come to an end seemingly far too quickly. ‘Closed on Monday’ is by far their best effort, a fantastic piece of guitar pop. They are due to release a single (their first I think) in March, so hopefully 2007 will be the year that things start happen for them.

#30
Oh No! Oh My!
‘I Have No Sister’

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Handclaps! Electronica! Non-sensical lyrics! What’s not to love about Oh No! Oh My!? Their whole album is full of delightful little gems but it’s ‘I Have No Sister’ that stands out the most to me. A gleeful song about feeling better by being with someone, even if it means suggesting that they both “ride bikes into the sea”. The whole thing is darker lyrically than it sounds musically, and things like “if I die then at least you’ll die too” really should be rather morbid, but somehow it manages to seem forever gleeful.

You should know how it works by now. Ten more tomorrow, ten more Friday and the final nine on Saturday.

What is it about Scottish bands that they all have to do at least one (usually multiple) spoken word songs? I enjoy a good spoken word song, but most tend to be pretty awful or gimmicky. It only seems to be the Scottish bands that can actually get away with such a thing and I don’t have the slightest idea why. Is it something about the accent that makes it appealing? All of the ones included in this post feature thick accents, but there has to be more to it than that. Most bands don’t even tend to try this kind of song, yet Scottish bands all seem to give it a go.

Anyway, this all came about after I discovered Ballboy, and by discover, I mean read about them on another music blog. All of their songs were interesting and I’m happy to have found another band that I like, but it was ‘I Hate Scotland’ that appealed to me the most. It’s not actually a song about hating Scotland, more a moan about settling in our lives. It’s not a particularly complex song, just Gordon McIntyre’s “guy in the pub” words over a fairly repetitive backing track. Yet somehow, it still manages to be fantastic.

MP3 Ballboy – I Hate Scotland (expired)

Please find some more examples of this type of song below. Arab Strap painfully discovering a partner’s infidelity, Belle and Sebastian travelling to Mars and My Latest Novel being kind of non-sensical, but in a fun kind of way.

MP3 Arab Strap – Love Detective (expired)
MP3 Belle & Sebastian – A Space Boy Dream (expired)
MP3 My Latest Novel – The Job Mr. Kurtz Done (expired)

Anyone have more examples of this kind of song?

Well today is the start of the World Cup, which means we now have an ‘exciting’ month of footballing action to look forward to. That is of course if you care for such things. Personally, it doesn’t mean a thing. It’s a few guys kicking a ball around a field for a couple of hours. I’m supposed to get excited about that? Of course if anyone enjoys that, more power to them, but it means for the next month I get to deal with even more flag waving retards, “news” that is dominated by this drivel and my own pub showing every game meaning it’s going to be populated with people who make the special class seem like intellectuals.

MP3 Belle & Sebastian – I Don’t Want To Play Football (expired)

Apparently it isn’t really feasible to stay indoors for a month either, which is something of a pity.