Another Form of Relief

I’ve missed far too much music in the past year to make a proper best of list, so instead, here’s a list of 22 songs that I’ve loved from 2009. Listed in alphabetical order, not preference. Even though all of them are bloody good.

4 or 5 Magicians – Preaching to the Converted
So 2009 didn’t turn out to be the year that 4 or 5 Magicians finally “made it”. They did manage to put out their first proper album though, and despite a few missteps, it’s an excellent start. Dan Ormsby’s great talent as a songwriter shine through throughout, perfectly chronicling both a struggling band and the state of the country side by side.
Obama is your new Che Guevara / Scouting for Girls are your new Nirvana / You’ve written ‘Free Tibet’ on the back of your hand / But you figure Tibet is a part of Iran
Youtube

Allo Darlin’ – Henry Rollins Don’t Dance
Pretty much the song of the year for me, although The Polaroid Song put in another strong effort for Allo Darlin’ Seemingly going from strength to strength at the moment, I’m half expecting them to be everywhere this year.
But in my head you’re Patrick Swayze / You drag me from the corner and call me ‘baby’ / But baby you don’t even wanna see Dirty Dancing
Youtube

The Answering Machine – Another City, Another Sorry
The album as a whole never quite lived up to the promise, but The Answering Machine did manage to deliver some superb individual songs. Kind of what the Arctic Monkeys might be sounding like now if they hadn’t turned to shit.
I’m sort of lacking certainty / Situations tease the drunk out of me
mp3

Art Brut – Demons Out!
Three albums in and Art Brut seem to be stuck in a holding pattern. No real advancement in terms of songs or abilities. A set of decent songs that are a hell of a lot better when performed live due to the natural charisma of Eddie Argos. I suspect Art Brut are about as a popular as they are ever going to be at this point. Which is why we can expect plenty more songs like Demons Out! in the future.
How am I supposed to sleep at night when no one likes the music we write / Record buying public, we hate them / This is Art Brut vs. Satan
Youtube

Camera Obscura – French Navy
2009 seemed to be the year that Camera Obscura finally came into their own, to the extent that after 13 years, the band were finally able to give up their day jobs. Each album has seen the band grow considerably, with more complex and elaborate arrangements making their way in. It might have taken a while, but they certainly aren’t the “female Belle & Sebastian” any longer.
Spent a week in a dusty library / Waiting for some words to jump at me
Youtube

Cats on Fire – Horoscope
The album was a little patchy, but Horoscope is an excellent little song. Mattias Björkas’s voice is the standout attraction here. He may sound like a Euro-Morrissey, but it’s incredibly easy to drift away in his voice.
I don’t believe in happy ever after / A pyramid scheme, I keep telling you
mp3

Dananananaykroyd – Pink Sabbath
A band that creates such a ruckus that they require a whole new genre has to be created for them (fight pop). Dananananaykroyd’s album was an assault on the ears from start to finish, but in a good way. If such a thing is possible.
Buy it, run it, kick it, fuck it, yeah
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Emmy the Great – First Love
It took her the best part of five years, but Emmy the Great’s debut album just about lived up the high expectations. Boldly leaving off a number of “old favourites” in favour of a more structured collection, the album is a grower, but worth investing the time in.
You said I have a room / At the top of the stairs / I have a room with a view
Youtube

Fight Like Apes – Something Global
Possibly the most exciting band that I came across this year, I can’t think of album that has anywhere near as much play on my car stereo. And boy does it sound superb when bombing along at speed. Wonderfully unhinged.
So give me my hook / I know it might sound lame / Do you like my new look? / Waistcoats are so today
Youtube

Go Away Birds – The Year of Letting You Down
The first of two songs on this list to feature Catherine Ireton, who quickly became one of my favourite voices. A small start for someone who deserves to be huge.
I met with a little success in my work / You wouldn’t call it taking off / But you wouldn’t call it starving
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God Help the Girl – God Help the Girl
..and here’s the second. For some reason that’s baffling to me, the Gold Help the Girl album didn’t seem to get the acclaim I expected it to. The fact it’s not showing up on many end of year lists is deeply confusing to me, but I suppose you can’t win them all. The song choice here is pretty arbitrary, as it could have just as easily been I’ll Have To Dance With Cassie, Musician Please Take Heed or a handful more.
The dawn will touch me in a way a boy could never touch / Their promise never meant so much to me
Youtube

Johnny Foreigner – Choose Yr Side and Shut Up!
An excellent song from what was an ultimately disappointing second album. Don’t get me wrong, I do like it and all, but it doesn’t even come close to Waited Up Til It Was Light. This album opener hints at the bigger things in store though. Short and to the point, it has anthem written all over it.
So we scattered pretty / Arcs across the city / Turned pockets of doubt / Into blankets of hope
Youtube

Let’s Wrestle – We Are The Men You’ll Grow To Love Soon
A slightly disjointed debut album from Let’s Wrestle still brought us a bunch of excellent little songs, if nothing incredibly exciting. Still, a band very much of their time. Few others can so perfectly articulate life in modern Britain.
We’re going down the job centre / And soon we’ll come out with a job
Youtube

Loney, Dear – Airport Surroundings
Typically late to the party with stuff like this, I never got into Loney, Dear (is there a comma or not?) much when the critically loved Loney, Noir came out. I absolutely love Airport Surroundings though. You’d think that would inspire me to check out the rest of the album, but I still haven’t got around to it. One day.
The last pain got away when I gave up myself / I bought a ticket to hell when I met up with you
mp3

Los Campesinos! – The Sea Is A Good Place To Think Of The Future
Utterly, utterly perfect. The album is quite good too. So I’m told.
I ask her to speak French and then I need her to translate / I get the feeling she makes the meaning more significant
mp3

Pocketbooks – Footsteps
The debut album from Pocketbooks delivered on all of the promise of the past few years. One indie pop gem after another, it makes me very excited for the future. From their adoration soaked performance at Indietracks to high profile support slot of God Help the Girl, bigger things are almost certainly in their future.
From the supermarket aisles to the dance floors of provincial towns / I’d occupy my vacant hours just waiting for something
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Projekt A-ko – Molten Hearts
It always great when you discover a great band that is still rocking as if it’s 1994, and that’s exactly what Projekt A-ko do. Distortion, lazy vocals and even the odd “woo”. More like this in 2010 please.
I’ve got no fashion sense / I haven’t got any sense / I’ll never make any sense
Lastfm

Stagecoach – Break
Another band unashamedly influenced by the 90s US indie rock scene, Stagecoach bring the sound of Seattle to Brighton. Break is three minutes of song perfection, from a band we’ll be hearing a lot more of in the near future.
It’s not like her to cross the line / But she crossed it before and she’s gonna cross it one more time / Shit breaks / I kick in her face
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Superman Revenge Squad – Super Sad Morgan
Pretty much any song from the supremely talented Ben Parker could have made it onto the list. I actually debated placing a Nosferatu D2 song on here, but it seemed to be pushing things a little. His songs are a masterclass in the writing of lyrics. Quite why a label hasn’t snapped him up is completely beyond me.
If someone mentions Woolworths again I think I’m gonna combust / We stole all of the Pic ‘n’ Mix from out her hearts
Lastfm

Tigers That Talked – Black Heart Blue Eyes
One of the most beautiful songs of the year from a band I really need to listen to more of. Black Heart Blue Eyes has such a wonderfully theatrical sound to it, topped off with some perfectly snappy wordplay.
Bigotry’s obligatory around here / There’s nothing for me to defend / Just got to go
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Voxtrot – Berlin, Without Return…
Everything that the debut album should have been but never managed. Ramesh Srivastava’s vocal is as pitch perfect as ever, once again with a song worthy of his talents.
Do you spend your whole life trying to get back home? / Where do you go?
Youtube

The Young Republic – The Wolf
Now a fully formed band, The Young Republic may not be the same band they were a few years ago, but they know exactly what they want to be. Shifting from orchestral indie pop to Americana isn’t the easiest leap, but they’ve pulled it off with style. Incredibly self assured.
It hasn’t been this bad since my grandpa was a kid / He made it through, he never told us what he did
Youtube

(Apologies for the lateness of these reviews. I came back from Indietracks and quickly came down with something I immediately feared to be swine flu. Thankfully, I was quickly reassured that it was merely twee flu and that it was perfectly normal. What a relief.)

Indietracks isn’t the first festival I’ve gone to this year, nor will it be the last. It’s hard to see how it will be anything other than the most enjoyable event of the year though. Launched in 2007, Indietracks is the ultimate in niche festivals. A tiny capacity, a very precise view of the kind of bands it puts on, with all of this set in a small rail yard. It’s a wonderful feeling (and an unheard one at a festival) that you can walk between any of the stages within a couple of minutes. Most importantly of all, it’s by far the nicest festival that you’ll ever visit.

Arriving at Butterley station on Saturday morning, things didn’t seem so perfect. Bands are starting to play, yet to access the site you have to wait a little while for a steam train to come along and take you there. It’s not a huge inconvenience, and one that was rectified on each return trip to the site by driving around back lanes and being able to park right by the main stage. Seeing as there was nobody on immediately that I was excited about upon reaching the site, there was time to pop round to Brittan Pit Farm. The llamas there have become the stuff of Indietracks legend, and it was mildly disappointing to not see them spit on anyone while visiting. No problem though, as the farm as a whole proved to be a lot of fun, with it’s dalmatian ponies, goats and birds regularly providing a welcome diversion from the festival excitement.

The Frank & Walters ended up being the first band caught in the afternoon, who I wasn’t familiar with beforehand. Typically, just as I arrived to watch their set, they suffered a power cut, which ended up with them having a kickabout on stage (almost bringing it down in the process) to fill the time. They were back on track again within a few minutes, and they turn out to be a pretty enjoyable way to get started. At times they come across a little rocky and perhaps out of place at such an event (at one point asking “is this a trainspotters festival?”), but they seem to go down quite well with everyone.

Wandering over to the train shed, which acts as the main indoor stage, it’s time for Butcher Boy, a Glasgow band I’ve liked for a while now. This was the first time seeing them live, and they managed to greatly impress. Their songs lose none of the zeal of their recordings. Sounding perfectly arranged, in a few minutes they managed to prove that not all indiepop has to sound ramshackle. Unfortunately, I have to confess that I didn’t pay attention to a part of their set as I’d spotted the mighty merch stall for the first time. A vigorous browsing session later and I’d left with albums by Cats on Fire and Zipper, a label sampler, a Ballboy shirt and some Fortuna Pop badges. I could have spent a hell of a lot more there, so let’s be thankful that there wasn’t a cash machine on site.

Some general wandering of the site followed, which saw a bit of Speedmarket Avenue’s set (fine, but not really my cup of tea) and The Lovely Eggs setting up on the church stage. Annoyingly, the setting up was about all I did see, the heat/crowd in the church quickly becoming too much. Apparently their set was incredibly good too. Back to the train shed again, and it’s time for Cats on Fire, a wonderful band from Finland, who manage to bring on the dancing for the first time of the weekend. Their set was rather heavy on their latest album, which I hadn’t heard much of beforehand, but the almighty singalong and general happiness that radiated through the set meant that I had a copy by the time I left the festival. Alas, I missed the later part of their set as it was time to wander over to the main stage for Camera Obscura.

I was a little anxious about seeing Camera Obscura as while I’m a big fan of their music, they don’t seem to have the greatest live reputation. Fears are rapidly quelled though with a stunning set that healthily mixes in new album material with a number of the old classics. The band themselves may look utterly miserable on stage (I’m sure they aren’t really), but the beautifully arranged sound played out with a backdrop of the sun setting behind the stage makes for one of the performances of the festival.

Back to the train shed once again where Emmy the Great should be playing, but there’s actually no sign of her. Nothing has been set up on stage, everyone looks a bit confused and I even overhear someone discussing how she hasn’t turned up yet. Eventually her band hurry onto the stage about 45 minutes after the scheduled stage time, and within minutes the set is under way. Apologies are made about being stuck in traffic on the M1 in between songs, but it’s seemingly ruined any flow the set may have had. She lurches from song to song without a setlist, constantly checking how long she’s been playing for before finishing up barely past the thirty minute mark. Still, the storming version of Where Is My Mind? means that most complaints are quickly overlooked. As a whole, the songs individually are fine, but as a set, it left a lot to be desired.

This is about where Saturday at Indietracks ends up for me. On the way out, I caught a few minutes of La Casa Azul, who was putting on an electro-pop set both mystifying and brilliant on the main stage. Would have stayed longer if not for the desperate need for food and some sleep.

Well, that was just about the most perfect weekend ever.

A proper review (you know, with words and stuff) will be following tomorrow, but here are 134 pictures from the joy that was Indietracks 2009.

As usual, you can click through to Flickr for the full size versions.

When I was first approached by BBC Music to put together a list of albums I think should be nominated for the Mercury Music Prize, I was initially hesitant. First of all because I don’t much care for awards, and if I’m honest, have never paid attention to the Mercury Prize. Secondly, because I hardly ever listen to complete albums these days. I want to be an elitist snob and pretend that I do, but most of my music is absorbed via an iPod on shuffle.

Throwing around the year’s music in my head though, I realised that it’s actually been a bloody good year for British music. I initially came up with a couple of albums, then a couple more, and it kept going from there. In the interests of brevity, I’ve limited the final tally to seven exceptional albums and a handful of honourable mentions at the end. I don’t expect a single one of these to actually be nominated for the prize, but hey, I’m happy to be proved wrong.

God Help The Girl – God Help The Girl

Okay, so it’s not a radical departure for the Belle & Sebastian mould for Stuart Murdoch’s solo/side/whatever project, but that’s no bad thing. It’s not often these days that albums tend to tell a complete story, and that is what we have here. Ably held together by Catherine Ireton and an array of guests, it’s not absolutely perfect – the Funny Little Frog cover is especially misguided – but it unashamedly embraces the album format when everyone else seems to be fleeing from it.

MP3 God Help The Girl – Come Monday Night

Dananananaykroyd – Hey Everyone!

I’m under no illusions that the prize would ever get near an album like this, but that doesn’t make it any less deserving. To find a band with this much energy on stage is rare enough in itself, but to get the same urgency on record is near impossible. Dananananaykroyd manage it, giving us one of the finest debut albums in years. It’s loud, it’s messy, and it’s a hell of a lot of fun.

MP3 Dananananaykroyd – Pink Sabbath

Camera Obscura – My Maudlin Career

Camera Obscura give us three out of three so far for the Scots. It felt like Camera Obscura had reached their peak with their previous album Let’s Get Out Of This Country. Then My Maudlin Career pops up and blows it out of the water with it’s beautifully textured songs. It’s taken more than a decade, but this is the album Camera Obscura were destined to make.

MP3 Camera Obscura – My Maudlin Career

Emmy the Great – First Love

Out of all of the albums on this list, I’d imagine First Love is the one most likely to turn up on any Mercury lists if any of them do. I can’t quite pinpoint why, but Emmy does seem to fit the slightly left of the centre singer-songwriter style that seems to have made the lists in previous years. The album is a grower for sure, but there is some stunning songwriting on display here. Emmy has only barely scratched the surface of what she is capable of.

MP3 Emmy the Great – We Almost Had A Baby

Los Campesinos! – We Are Beautiful, We Are Doomed

Los Campesinos! remain the most posted band on this blog, and rightly so. Coming out with a good first album and then following it up with one of the best albums of the year within six months is no mean feat. Evolving beyond the “tweexcore” fun of the first, this is an album that actually has emotional depth and philosophy added to the proceedings. All while still continuing to sound like quite nothing else that’s around at the moment.

MP3 Los Campesinos! – We Are Beautiful, We Are Doomed

Thomas Tantrum – Thomas Tantrum

Thomas Tantrum pick up right where the dearly missed Life Without Buildings left off. Rough, random songs jump all over the place, but the appeal here is in the voice of Megan Thomas. Breezily floating between gentle and slightly unhinged, she gives the songs an unpredictable air. That their debut album is so strong is all the more impressive given they were a pretty mediocre live band only a year earlier.

Video Thomas Tantrum – Work It

Aidan Moffat & The Best Ofs – How To Get To Heaven From Scotland

Seems only fitting that we end with yet another Scottish album, resulting in them making up more than half of the list. It’s taken Aidan Moffat a little while to find the project that suits him after Arab Strap split, but The Best Ofs seems to be it. Allowing his songwriting and voice to be front and centre plays right into his strengths and results in an album more consistent than anything he and Middleton put out.

MP3 Aidan Moffat & The Best Ofs – Big Blonde

Honourable mentions
Fanfarlo – Reservoir
It Hugs Back – Inside Your Guitar
Ballboy – I Worked On The Ships
Sky Larkin – The Golden Spike

If there is one artist that I’ve really turned around on over the past year, it’s Emmy the Great. It was quite a few years ago that I first heard her, and I liked a couple of songs right from the start, but never got on with most of them. I suspect I was being too quick to judge given it was the slower, more involved songs that I initially stayed away from. I probably should have persisted, but didn’t until about a year ago.

I think it was her set at Reading last year that really won me over. I didn’t know many of the songs that she played, but being right at the front, with excellent sound and appreciative audience, and something seemed to click. I went back to those songs that I ignored the first time and found myself enjoying them a lot more. A few months ago I got First Love, her first full length album, and while there is the odd misstep, it’s one of my favourites of the year.

We Almost Had A Baby is taken from that album, albeit in a slightly different form to the version below. It’s a tale that is rather darker than it initially sounds, with her going over a slightly bitter breakup and wishing she was pregnant so she had something to hold over him. It’s not exactly your typical song material, but it’s that which is the appeal in what Emmy does. Stories littered with believable characters are the showcases here. Something which now seems to be all too rare.

Emmy the Great will be playing at the Southbank Centre on July 19 as part of their Summer Gigs season, ably supported by Aidan Moffat. The Edwards EP will be release on August 10 via Close Harbour.

As part as our ongoing attempts to cover what little exists of a Kent music scene, it seemed only prudent to put together a brief guide to the major music festivals taking place in the county over the next couple of months. A few years ago such a thing would have been impossible due to a lack of said events, but now new festivals seem to be popping up each year. Obviously not all of them work (like Electric Gardens) and some will probably have their organisers lynched if they ever come back (Zoo8) but it’s good to see a varied selection appearing.

When June 4-6
Where Hope Farm, Ashford
How much £55 weekend / £35 daily

Lineup (AFOR endorsements in bold)
Supergrass, The Holloways, Emmy the Great, Ben’s Brother, Red Light Company, Alessi’s Ark, Cut La Roc, Hoxton Whores, Thomas Tantrum, The Answering Machine, Karima Francis, The Young Knives, Tubelord, Marina and the Diamonds, Alex Cornish, Oh, Atoms, Royal Treatment Plant, Bender, The Rosie Taylor Project, William, 4 or 5 Magicians, motion picture soundtrack, Video Nasties, Bobby Long, The Domino State, The Ryes, Micky Slim, Silvery, Hungry Ghosts, Los Salvadores, Minnaars, Lucy and the Caterpillar, Kids Love Lies, Barefoot Confessor, Right Turn Left, Tin Soldiers, Far From The Dance, Seven Story Down, Ten Bears, Tom Williams & The Boat, The Suggestions, Elephants, The Dirty Disco, Junkstar, Brandon Block, Mr Basista, Monday Street, Romanov, Polka Party, HANDSHAKE, Greg McDonald, The Quirk Burglars, The SheBeats, Alma Mahler, Floors & Walls, Eddy Temple-Morris, Rob Cockerton, Adam Bloom, Haunted Stereo, Small Fry, Joe Mac, The Streetlight Conspiracy, The Little Philistines, Illegitimate Sons of the King, AEF, Shadow Aspect, Vagner Love, Peter Andrews, Twisted DJs, Rhys morgan, Krissy and the Jackdaws, The Hidden Revolution, Bruised Beauties, Groove Monkey, Cocos Lovers, Everybody Be cool, Waterhorse, Lotte Mullan, Lucy Holliday, Circle of Rage, Kouncilhouse, Amoriste, Sean Mooney, Steve Day, Spooka, Jamie Abbott, Robbie Styles, Nic Bennett, Hal Cruttenden, Jamie Ley, Nathan Caton, Outa City Committee, Lester Clayton, Jeff Barker, Kev Harris, Lizzy Spit, Jarmean?, Pete Jonas, Delta Connection, danny reject, Matt Rudge, Adam Crow, Sally-Anne Hayward, Christian Reilly and 3 Parts DJ

In 2007, Sellindge was populated by bands you’ve never heard of. Last year, they managed to nab Idlewild to headline more bands you’ve never heard of. This year, there are a few solid bands at the top of the bill, a handful of decent ones underneath, and of course, a whole slew that you’ve never heard of. Still, for the money you can’t really go wrong.

When July 5-6
Where The Hop Farm, Paddock Wood
How much £125 weekend / £65 daily

Lineup (AFOR endorsements in bold)
The Fratellis, Editors, Doves, Echo & The Bunnymen, Ash, The Pigeon Detectives, The View, Mystery Jets, Super Furry Animals, Paul Weller, Ladyhawke, 65daysofstatic, British Sea Power, The Rifles, Alex Gopher, Noah and the Whale, Bell X1, Cage the Elephant, The Twang, The Twilight Sad, Howling Bells, Florence and The Machine, Johnny Foreigner, Eight Legs, Dananananaykroyd, Jape, Fight Like Apes, Etienne De Crecy, That Petrol Emotion, Let’s Wrestle, Dr. Lektroluv, D.I.M, The Chapman Family, Burn The Negative, The Good the Bad, R.S.A.G, and 2Manydj’s

The Hop Farm Festival has jumped from being a one-day event last year to a two day festival this year. It’s gimmick is that it has no sponsorship (yay!) and no VIP areas (boo!). Of course, such things come at a price, which results in the excessive £125 cost for the weekend. Which is a shame as I actually quite like the lineup. The main stage doesn’t do much for me, but the creatively named “third stage” with the likes of Johnny Foreigner, Let’s Wrestle and Dananananaykroyd looks like the place to be.

When July 10-12
Where Merton Farm, Canterbury
How much £85 weekend / £35 daily

Lineup (AFOR endorsements in bold)
Dub Pistols, Bent, DJ Food, The Horrors, Nostalgia 77, Cage the Elephant, Edwyn Collins, The James Taylor Quartet, Horse Feathers, DJ Format, A Hawk and a Hacksaw, Dan Le Sac vs Scroobius Pip, The Aliens, Krafty Kuts, Jeremy Warmsley, Lights, DJ Food & DK, Zomby, Wild Beasts, The King Blues, Chris Murray, Kid Harpoon, Mr Scruff, Ipso Facto, Solid Steel, Golden Silvers, Portico Quartet, Jonquil, Son Of Dave, Chris Difford, It Hugs Back, The Temper Trap, Jay Jay Pistolet, Flamboyant Bella, The Invisible, Sargasso Trio, Trost, 6 Day Riot, DK, Mumford & Sons, James Taylor Quartet, Baddies, Chris T-T, Toddla T, Greg Wilson, Pete Molinari, Casiokids, The XX, Drums Of Death, Cha Cha, The Pan I Am, The Congregation, Peggy sue, Congregation, Greco Roman, Rae, S.C.U.M, Joe Gideon & The Shark, Josh Weller, Skeleton, cherbourg, Wave Pictures, Tom Allalone, Elephants, Black Market Karma, Psychotic Reaction, Onlookers, Ghost of a thousand, Tom Williams and The Boat, Monday Street, The Simonsound, Syd Arthur, Hobo Jones & the Junkyard Dogs, Wheeler Street, The Goodtimes, Moon Music Orchestra, Zombie Met Girl, The 18 Carat Love Affair, Amber Room, J*Star, Zoo for you, The Lovedays, Cocos Lovers, The Startover, The Wild Wolves, Trevor Moss, Trevor Moss & Hannah-Lou, Samondi, Mr Lovebucket, Mc Serocee, MC Honeybrown, djbunjy, Ukulele Gangstas, The Chihuahuas, The Mind Without Maths, The Steve Hillage Band, calico street riots, Greco Roman Soundsystem w/ Ross Allen, Raf Daddy & Totally Enormous Extinct Dinosaurs, VJ LSDave, Comfy Porn DJs, Hannah Lou and Boxing Octopus

Lounge on the Farm is the almost the little festival that could. Growing from strength to strength over since the first in 2006, the event now boasts over 100 acts including a decent mix between minor recognisable bands and a ton of local talent. Operated by the same team that run the delightful Farmhouse in Canterbury, they really do seem to be doing everything they can to foster a local scene.

I’ve lost track of exactly how many versions of Where Is My Mind I have at this point. It seems to be one of those staple cover songs that everyone has to have a go at sometime. With that in mind, here is Emmy the Great’s version, recorded live for a BBC Radio 1 session. I think. Maybe it was for somewhere else. My feelings on Emmy’s music itself varies from week to week, and I seem to like about half of her songs but can’t stand the other half. I’m not sure exactly where this one falls. It’s all acoustic with layered vocals, something Nada Surf attempted with their version if I recall correctly. It’s not bad by a long shot, but it’s not blowing me away either. Still, it’s always enjoyable to hear alternative versions of songs.

#19
Emmy The Great
‘Paper Trails’

Website
Myspace

I’ve really tried to get into the music of Emmy the Great, but I can’t seem to do it. Maybe I’ve been hearing the wrong songs or something, but all of the tracks that I’ve picked up from various blogs haven’t done very much for me. All except this one anyway. It’s quite a feat for an artist I don’t particularly like to get to get a song in my top 20 songs of the year, but ‘Paper Trails’ somehow gets there. I can’t even tell you what it is that I like about it. Possibly the song itself, but it makes so little sense that it’s probably not. It could be her voice, but if it is, why don’t I like her other songs? It’s all very confusing really. Rest assured that this is a fine song though, and certainly worthy of it’s place here.

#18
Sky Larkin
‘Keepsakes’

Website
Myspace

I wrote earlier on in the year that ‘Keepsakes’ was one of my favourite songs of the year, and the fact it’s made this list confirms that very little has changed. It’s not their most complex song, but it’s the one that I’ve enjoyed more than any of the others in the past year. There’s something a little creepy about the whole thing, but it’s mainly just an outlet for Katie’s increasingly powerful voice.

#17
Play Radio Play
‘Jello’

Website
Myspace

The first time that I heard the early parts of ‘Jello’ I genuinely thought that I was listening to The Postal Service. Nearly everything comes across as uncannily similar: the song structure, the random electronic bits and the vocal is pretty much a perfect Gibbard. Of course, this leads to an ineviatble question of why I’m including a song so highly here if it’s just a rip-off of another band. I’m not even sure if I can answer that question entirely though. I just really like the song. It’s simplistic and some of the words are a little awkward, but it’s just incredibly catchy.

#16
The Light Footwork
‘Coastlines Are Landmines’

Website
Myspace

The Light Footwork seemed to arrive entirely out of nowhere with an already perfected sound. Primarily the creative outlet for Jay Underwood and Becca Wilhelm, they combine the musical sounds of Beulah with the songwriting finesse of Stephen Malkmus. If I was putting together an album list for the year, there is no doubt that their debut release, ‘One State Two State’ would feature very highly, if not in the number one position. I don’t think I’ve played any other complete albums as consistantly in the past year. Anyway, ‘Coastlines Are Landmines’ is just one standout song on an incredible album.

#15
The Elected
‘It Was Love’

Website
Myspace

“I’m still not a big fan of ‘Sun, Sun, Sun’, but this song is just about my favourite of any song that The Elected have put out. If there’s one thing Blake Sennett can do well, it’s sounding melancholy while doing his best Elliott Smith impression. An entirely depressing story about two people who stay together because they know no better (”I just put up with you / Kid, I stayed because you wouldn’t leave”). I don’t know if it’s supposed to be positive or not when Blake describes this time as “It was love / Or at least the closest I got”, but it certainly doesn’t seem that way even if it’s supposed to be.” – originally posted June 2.

#14
Pony Up!
‘What’s Free Is Yours’

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I discovered Pony Up! toward the end of the year, and have since obtained a lot of their material. To be perfectly honestly, a lot of it isn’t all that interesting to me. What is interesting to me though are perfect pop songs, and ‘What’s Free Is Yours’ certainly falls into that category. An upbeat song from a slightly bitter woman who is changing her perception of the past to make the guy she’s broken up with seem like the bad guy (“I don’t believe / you’d be here if you could / But then again / you never said you would / I make up promises you never made”). It’s this perfect capturing of the quirky little things that people do that allow Pony Up! to have some fantastic songs. They just need seeking out amongst all the rest.

#13
Pocketbooks
‘Cross The Line’

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“‘Cross the Line’ is the first song released from their new batch of recordings, and it’s easily cemented itself in place as one of my favourites of the year so far. Full of lovely imagery (it opens with “I’m asleep on a train on the Zone 2 boundary”) and basically continues as a back and forth conversation between the male and female vocalists. This takes on a nicely self-aware twist when she starts calling him on the honesty of his lyrics (”As a kid I would run through the fields and orchards” / “What about your hayfever though?” / “I’d climb the branches to the top” / “What, with your vertigo?” / “Look, I’m making all this up”). Extra points also have to be awarded for being the first song I’m aware of that actually slots in the term “Oyster card” without being entirely tacky.” – originally posted November 4.

#12
Beeches
‘Make Your Own Luck’

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Proclaimed as “a fucking excellent song” by at least one attendee gig Beeches played for AFoR a month ago, ‘Make Your Own Luck’ is my favourite song of theirs and one of the best I’ve heard this year. Musically it comes across as a crazy drunk person, jumping from energetic bursts of aggression to slowed down gentle parts and back again. Lyrically, it’s a hell of a lot of fun. Essentially the story of man singing to his new step daughter after he met her mother at “the filming of Trisha” before they “married on Kilroy”. Of course, it’s all rather whimsical, but who can resist it when it leaps into high gear for the second time?

#11
Jenny Owen Youngs
‘Fuck Was I’

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Firmly a part of my “big in 2007″ list is Jenny Owen Youngs, something that was made stronger by a recent signing to Canadian indie label Nettwerk, who will be re-releasing her 2005 album ‘Batten The Hatches’ early next year. Despite initially being kind of indifferent to it, ‘Fuck Was I’ quickly became one of my favourite songs of the year. Pretty much the anthem of any breakup, mournfully looking back and asking “what the fuck was I thinking?” All sung by a wonderful voice with a gentle strings arrangement in the background, sad songs really don’t come much better than this.

#10
Born Ruffians
‘This Sentence Will Ruin/Save Your Life’

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The world has been decidedly short of slacker anthems since the loss of Pavement, so a song like this from Canada’s Born Ruffians fills in the void perfectly. Two and a half loud, noisy minutes about the things the singer wants from life (a girl, nice car, a meaning to his life) while seemingly accepting that he’s too lazy to do anything about it. This certainly isn’t an epiphany song, more one that proclaims what will never be had. Making the whole thing rather a downer to be honest.

And with that we’re down to the final nine songs that make up best songs of 2006. In my opinion of course. If you read the blog regularly you can probably guess a few of the songs that will make up the top end of the chart, but hopefully there will be a couple of surprises in there too. Be sure to come back tomorrow to find out what they are.