Posts tagged The Joy Formidable

AFoR Advent: The Joy Formidable

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It seems that every self-respecting indie band is throwing out a free Christmas song this year, and enter the fray with My Beerdrunk Soul Is Sadder Than A Hundred Dead Christmas Trees. That is actually the song with the longest title I have ever posted on this blog over the past four years.

I’m still mildly surprised by how much The Joy Formidable’s profile has risen over the past year. Which isn’t to slight them at all, but when I first heard them I would have tipped them to be a critically adored cult band, but that’s about it. Now with packed out festival slots, and sold out headlining tours, it looks as if they are growing well beyond that. I suspect now that we’re going to see even bigger things from them in 2010, although quite how far they can go still remains to be seen.

New Joy Formidable – Greyhounds in the Slips

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It seems that the time of has finally come. From near obscurity last year, the band are now packing out venues, and touring with some rather large bands. Strings of dates with The Temper Trap, Passion Pit and even the sodding are in their near future.

Which of course means it’s time to, er, release a live album. A slightly odd move for a band that has only really released an EP up until now, but there you go. The band’s set at the Garage in London this coming Wednesday will be recorded and released as First You Have To Get Mad. I’m sure it’ll be good as the band do put on hell of a live set, but I’d rather have some new songs.

Step forward Greyhounds in the Slips. I don’t think it’s an actual single or anything, but it has a proper video nonetheless, and vocals from Paul Draper of Mansun. Quite exactly how that combination came about I have no idea, but the added male-female vocal inerplay certainly adds a little something to the Joy Formidable formula.

Hop Farm Festival 2009: A Review

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This past weekend brought the second festival of 2009 for Another Form of Relief. It was a local festival, but one that I never intended on going to given it’s ludicrous £125 ticket cost. Seemingly others thought the same, given ticket sales struggled to such a degree that they were giving £250 of tickets away with £10 items via a clothing store. So, one Kangaroo Poo beach towel later and I had guestlist access to two days of live music. Not too shabby.

Arriving on site at around noon, the car parking was fairly well organised and it wasn’t a long walk (in festival terms) to the box office entrance. Where, of course, we weren’t on the guest list where we should have been. Joining a second queue of people all in the same boat, it took a bit of hassle with customer services, but eventually we got our wristbands and got in.

To be presented with one of the most deserted festival sites known to man.

Main arena

After exploring the site for a bit and getting our bearings, we headed over to the main stage and caught a bit of . They are a band that I’ve been vaguely aware of but never heard much of it, and I’m happy to say that relationship is perfectly intact after their set. They were fine I suppose, but nothing grabbed me to a degree that I had to rush home and find some of their songs.

Noah and the Whale

Next up were , a band I rather like, if not entirely. I love 5 Years Time and a few others, and thankfully they played all of the ones I knew. They weren’t exactly what I expected, the sound of four of them live without the voice of Laura Marling was a little bit odd. Not too bad, but 5 Years Time certainly lost some of it’s shine. The newer songs they played were fine, if not as immediate. I suspect they will be growers though.

Let's Wrestle

After that it was a quick dash over to the stupidly small Third Stage, which had some of the best bands of the weekend. We arrived to find Let’s Wrestle about halfway through their set. They sounded good, replicating their recorded sound incredibly well. The only downside was that they ran out of songs 20 minutes before their set was due to end. It was salvaged my audience participation, an extra long jam session and a boisterous rendition of their signature “let’s fucking wrestle!” that certain members of the audience seemed to take to heart.

Johnny Foreigner

The mighty followed them and provided the highlight of the weekend. Their set was littered with new songs, and new renditions of old favourites. The band flirted with some new arrangements too, including one song where Kelly took to the drums and Junior picked up a bass and a couple more songs that made use of a fourth member. Alexei seemed to be having a good time throughout, correcting the MC when taking the stage with “we’re actually ” and calling a Twang cover of Bran Van 3000′s Drinking in LA “the worst fucking thing I’ve ever heard” when they were playing the same festival.

Ash

Back to the main stage afterwards for , a band where I know the singles and that’s about it. Which is fine given that is mostly what they stuck with, just littering in the odd new song while constantly assuring us they would get back to the hits. All of the usual suspects made it into the set: Burn, Baby Burn and Shining Light, with the superb Girl From Mars providing the first almighty audience sing along of the day.

The Joy Formidable

Off to the Third Stage once again for , who to my surprise had completely packed out the tent. I must have missed the point between Reading last year and now where they became massive, but it certainly felt like they had made it. It was a loud, messy set that went over incredibly well and if they aren’t playing headline slots by the end of the year I’ll be amazed.

That was where day one ended for us. The festival itself went on for a few more hours, with The Fratellis and The Pigeon Detectives being the highest acts on the main stage. But given they are shit, why bother staying?

We returned for day two and had a much longer walk from a much further car park. Which was at the very least good exercise.

Ladyhawke

is someone I only know via one song that I’ve heard in someone’s car over and over again. I wasn’t expecting anything more than generic dance nonsense, so I was pleasantly surprised by her set. She seemed rather awkward on stage (apparently she has Asperger’s) and was plagued by technical difficulties throughout, but her performance was rather good. Not spectacular by any means, but an enjoyable way to spend 40 minutes.

Super Furry Animals

The were up next, a band I’ve never been much of a fan of short of one or two songs. Neither of which they actually played. They were rather fun though, bringing their own “Woah!” and “Applause” audience cue cards. We actually left about halfway through their set to get to the Third Stage, so maybe they did play the songs I like after all.

Dananananaykroyd

I’ve read so many things about ’s “legendary” live performances, but nothing quite prepared me for what I walked into. Arriving in the tent, the band were just having the audience perform the Wall of Cuddles. They followed this by storming through a song with such ferocity that they immediately blew out an amp. While this was being fixed, the band killed time by telling jokes (“What has eight legs and is harmless to kids?” “The Jackson Four”) and playing a television theme tune quiz. We got through Eastenders, Hollyoaks (“that show sucks balls”) and another before everything was good to go again. The band launched into their second wind even more manically than the first, security trying to drag Callum back on stage from crowdsurfing while singing repeatedly. It was an insane, but utterly fitting show for the band, and I hope to see them playing outside of a festival environment in the future.

Doves

If it’s possible to go to sleep while standing in a crowd of people enjoying themselves at a festival, I could have managed it during . Nothing particularly wrong with them at all, just all very uninteresting.

Editors

Speaking of uninteresting, Editors were on next. The crowd seemed to enjoy them, so maybe it was just me, but they bored me to tears on the most part. I just spent the time watching the lead singer flail around like a lunatic for seemingly no apparent reason. Never have I so randomly and intently hated a man as much as that guy. Thankfully we left about halfway through and I didn’t have to suffer any more of his twattery.

The Rumble Strips

The last band of the weekend for me were the rather pleasant Rumble Strips. I missed most of their set, but I enjoyed what I saw. The band seemed to be very much on form, even managing to get the brass instruments sounding good in a live setting, which isn’t always an easy feat. I felt kind of bad that I only caught about three of their songs after the event.

And that was it.

Some random observations:
- The security guards were fine at times, dickish at others.
- The bar had nice, cheaply priced drinks.
- The food stalls had crappy, expensive food.
- The toilets (in the bar at least) were excellent by festival standards.
- The Grilled Chicken & Bacon Salad in the Brookers Oast next door to the site is lovely.
- The ridiculously long walk to get in and out of the site (and thus to the pub) was a bit of a git.
- For a festival that prides itself on “no VIP areas” so “everyone has the same experience”, it seems odd to have a VIP bar.

Pretty damn good for the price of a towel though.

Hop Farm Festival 2009 – Day One

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Photos from Day Two can be found here.

Interesting first day at the Hop Farm Festival down here in Kent. Even with the massive ticket giveaways it has obviously still struggled to fill out the 20,000 capacity. Which is kind of a shame, firstly because it’d be nice to see a local festival succeed, and secondly because it’s actually quite decent. Despite suffering from some odd lineup ordering (The View higher than , really?), it’s a fairly professional, well laid festival.

Highlights today:
- who included a whole bunch of a new material in their drunken set, a new band member on a few songs, saw Kelly and Junior swap positions and more.
- Let’s Wrestle played to a small, but certainly rowdy audience.
- seem to have become ten times more popular than when we saw them at Reading last year too, which was a pleasant surprise.
- Ash, who I haven’t heard anything from in the best part of ten years, were really bloody good.

Photos below. You can click through to Flickr for the full size versions. Tomorrow’s lineup includes British Sea Power, , , and the mighty .

Great British Hopes: The Joy Formidable

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The Joy Formidable

While at Reading back in the summer, I didn’t get much of a chance to see bands playing on the BBC Introducing stage. The lowliest stage of the festival, it was just a small tent with bands you’ve never heard of playing to people passing by on their way to one of the chip vans. I’ve no doubt that a lot of these bands would have been talented, but in the limited time that a festival allows, you tend to head for what you know. So the only band I ended up seeing there was . In retrospect, I wish I’d gone to see the car crash of a set by the FF’ers, but that’s a different story.

I went along being vaguely familiar with one of their songs, and if I’m honest, because there was no one better on at the time. It was worthwhile though. They played a good little set to a good little crowd and all was right in the world. Then I didn’t think about them again for another six months. Exploring their website shows that things have seemingly picked up for them. Tours with , album and single releases are all in their recent past.

Which is good because there aren’t a great many bands around that sound like this at the moment. Or maybe there are and I’m unaware of them. But this is noisy, dirty pop, vocals leaping in all over the place even if you can hardly make them out. It feels like something that would be right at home next to My Bloody Valentine, just with a little more melody. Lazy comparisons aside, it works for them, and it seems to be getting them a following. Not bad for a band that was only being introduced by the BBC six months ago.

A Balloon Called Moaning is now available as a free download from the band’s website, or as a CD/poster pack from the same place.
The awesome Cradle single is also available now via Try Harder Records. On 7 fucking inch only.

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