Another Form of Relief

I’ve missed far too much music in the past year to make a proper best of list, so instead, here’s a list of 22 songs that I’ve loved from 2009. Listed in alphabetical order, not preference. Even though all of them are bloody good.

4 or 5 Magicians – Preaching to the Converted
So 2009 didn’t turn out to be the year that 4 or 5 Magicians finally “made it”. They did manage to put out their first proper album though, and despite a few missteps, it’s an excellent start. Dan Ormsby’s great talent as a songwriter shine through throughout, perfectly chronicling both a struggling band and the state of the country side by side.
Obama is your new Che Guevara / Scouting for Girls are your new Nirvana / You’ve written ‘Free Tibet’ on the back of your hand / But you figure Tibet is a part of Iran
Youtube

Allo Darlin’ – Henry Rollins Don’t Dance
Pretty much the song of the year for me, although The Polaroid Song put in another strong effort for Allo Darlin’ Seemingly going from strength to strength at the moment, I’m half expecting them to be everywhere this year.
But in my head you’re Patrick Swayze / You drag me from the corner and call me ‘baby’ / But baby you don’t even wanna see Dirty Dancing
Youtube

The Answering Machine – Another City, Another Sorry
The album as a whole never quite lived up to the promise, but The Answering Machine did manage to deliver some superb individual songs. Kind of what the Arctic Monkeys might be sounding like now if they hadn’t turned to shit.
I’m sort of lacking certainty / Situations tease the drunk out of me
mp3

Art Brut – Demons Out!
Three albums in and Art Brut seem to be stuck in a holding pattern. No real advancement in terms of songs or abilities. A set of decent songs that are a hell of a lot better when performed live due to the natural charisma of Eddie Argos. I suspect Art Brut are about as a popular as they are ever going to be at this point. Which is why we can expect plenty more songs like Demons Out! in the future.
How am I supposed to sleep at night when no one likes the music we write / Record buying public, we hate them / This is Art Brut vs. Satan
Youtube

Camera Obscura – French Navy
2009 seemed to be the year that Camera Obscura finally came into their own, to the extent that after 13 years, the band were finally able to give up their day jobs. Each album has seen the band grow considerably, with more complex and elaborate arrangements making their way in. It might have taken a while, but they certainly aren’t the “female Belle & Sebastian” any longer.
Spent a week in a dusty library / Waiting for some words to jump at me
Youtube

Cats on Fire – Horoscope
The album was a little patchy, but Horoscope is an excellent little song. Mattias Björkas’s voice is the standout attraction here. He may sound like a Euro-Morrissey, but it’s incredibly easy to drift away in his voice.
I don’t believe in happy ever after / A pyramid scheme, I keep telling you
mp3

Dananananaykroyd – Pink Sabbath
A band that creates such a ruckus that they require a whole new genre has to be created for them (fight pop). Dananananaykroyd’s album was an assault on the ears from start to finish, but in a good way. If such a thing is possible.
Buy it, run it, kick it, fuck it, yeah
mp3

Emmy the Great – First Love
It took her the best part of five years, but Emmy the Great’s debut album just about lived up the high expectations. Boldly leaving off a number of “old favourites” in favour of a more structured collection, the album is a grower, but worth investing the time in.
You said I have a room / At the top of the stairs / I have a room with a view
Youtube

Fight Like Apes – Something Global
Possibly the most exciting band that I came across this year, I can’t think of album that has anywhere near as much play on my car stereo. And boy does it sound superb when bombing along at speed. Wonderfully unhinged.
So give me my hook / I know it might sound lame / Do you like my new look? / Waistcoats are so today
Youtube

Go Away Birds – The Year of Letting You Down
The first of two songs on this list to feature Catherine Ireton, who quickly became one of my favourite voices. A small start for someone who deserves to be huge.
I met with a little success in my work / You wouldn’t call it taking off / But you wouldn’t call it starving
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God Help the Girl – God Help the Girl
..and here’s the second. For some reason that’s baffling to me, the Gold Help the Girl album didn’t seem to get the acclaim I expected it to. The fact it’s not showing up on many end of year lists is deeply confusing to me, but I suppose you can’t win them all. The song choice here is pretty arbitrary, as it could have just as easily been I’ll Have To Dance With Cassie, Musician Please Take Heed or a handful more.
The dawn will touch me in a way a boy could never touch / Their promise never meant so much to me
Youtube

Johnny Foreigner – Choose Yr Side and Shut Up!
An excellent song from what was an ultimately disappointing second album. Don’t get me wrong, I do like it and all, but it doesn’t even come close to Waited Up Til It Was Light. This album opener hints at the bigger things in store though. Short and to the point, it has anthem written all over it.
So we scattered pretty / Arcs across the city / Turned pockets of doubt / Into blankets of hope
Youtube

Let’s Wrestle – We Are The Men You’ll Grow To Love Soon
A slightly disjointed debut album from Let’s Wrestle still brought us a bunch of excellent little songs, if nothing incredibly exciting. Still, a band very much of their time. Few others can so perfectly articulate life in modern Britain.
We’re going down the job centre / And soon we’ll come out with a job
Youtube

Loney, Dear – Airport Surroundings
Typically late to the party with stuff like this, I never got into Loney, Dear (is there a comma or not?) much when the critically loved Loney, Noir came out. I absolutely love Airport Surroundings though. You’d think that would inspire me to check out the rest of the album, but I still haven’t got around to it. One day.
The last pain got away when I gave up myself / I bought a ticket to hell when I met up with you
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Los Campesinos! – The Sea Is A Good Place To Think Of The Future
Utterly, utterly perfect. The album is quite good too. So I’m told.
I ask her to speak French and then I need her to translate / I get the feeling she makes the meaning more significant
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Pocketbooks – Footsteps
The debut album from Pocketbooks delivered on all of the promise of the past few years. One indie pop gem after another, it makes me very excited for the future. From their adoration soaked performance at Indietracks to high profile support slot of God Help the Girl, bigger things are almost certainly in their future.
From the supermarket aisles to the dance floors of provincial towns / I’d occupy my vacant hours just waiting for something
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Projekt A-ko – Molten Hearts
It always great when you discover a great band that is still rocking as if it’s 1994, and that’s exactly what Projekt A-ko do. Distortion, lazy vocals and even the odd “woo”. More like this in 2010 please.
I’ve got no fashion sense / I haven’t got any sense / I’ll never make any sense
Lastfm

Stagecoach – Break
Another band unashamedly influenced by the 90s US indie rock scene, Stagecoach bring the sound of Seattle to Brighton. Break is three minutes of song perfection, from a band we’ll be hearing a lot more of in the near future.
It’s not like her to cross the line / But she crossed it before and she’s gonna cross it one more time / Shit breaks / I kick in her face
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Superman Revenge Squad – Super Sad Morgan
Pretty much any song from the supremely talented Ben Parker could have made it onto the list. I actually debated placing a Nosferatu D2 song on here, but it seemed to be pushing things a little. His songs are a masterclass in the writing of lyrics. Quite why a label hasn’t snapped him up is completely beyond me.
If someone mentions Woolworths again I think I’m gonna combust / We stole all of the Pic ‘n’ Mix from out her hearts
Lastfm

Tigers That Talked – Black Heart Blue Eyes
One of the most beautiful songs of the year from a band I really need to listen to more of. Black Heart Blue Eyes has such a wonderfully theatrical sound to it, topped off with some perfectly snappy wordplay.
Bigotry’s obligatory around here / There’s nothing for me to defend / Just got to go
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Voxtrot – Berlin, Without Return…
Everything that the debut album should have been but never managed. Ramesh Srivastava’s vocal is as pitch perfect as ever, once again with a song worthy of his talents.
Do you spend your whole life trying to get back home? / Where do you go?
Youtube

The Young Republic – The Wolf
Now a fully formed band, The Young Republic may not be the same band they were a few years ago, but they know exactly what they want to be. Shifting from orchestral indie pop to Americana isn’t the easiest leap, but they’ve pulled it off with style. Incredibly self assured.
It hasn’t been this bad since my grandpa was a kid / He made it through, he never told us what he did
Youtube

One day Los Campesinos! are going to break my heart. It’s actually amazing that they haven’t already given my usual somewhat brief flings with bands. Generally it’s album before it all goes to hell, sometimes not even that long. Los Campesinos! have been the band I have most consistently enjoyed since starting this blog thing. A lot of bands have come close to the excitement they manage to generate in me (Johnny Foreigner*, 4 or 5 Magicians, Sky Larkin), but no one quite pips them. Three and a bit years on from first covering them, I’m writing about songs from their third album with just the same admiration as back then.

There was some concern when The Sea Is A Good Place To Think Of The Future appeared that we’d moved past the upbeat, manic incarnation of the band. Shades of a more restrained, thoughtful version of the band were previously hinted at on the last album, so it wouldn’t have been too surprising. There Are Listed Buildings puts those fears to rest. While not as loose as the original You! Me! Dancing! days, it still feels like something that would have been right at home last time around. This is the sound of a band on the very cusp of legendary indie status. It’s just going to take one perfect record to tip them over the top.

The third, currently untitled, album from Los Campesinos! is due to be released early next year. Presumably on Wichita.

* The same Johnny Foreigner that have an upcoming album called Grace and the Bigger Picture on Best Before Records. That everyone else seems to have received a promo for except me. I mean, it’s not a big deal. I certainly don’t expect promo material. Ever. Even if it’s the album I’m most excited about this year. Not like Another Form of Relief was the very first music blog to cover them god knows how long ago. Oh no. Not that I’m bitter or anything.**

** Seriously, I’m not. All in jest. Just really want to hear the damn thing.

At times, it’s difficult to believe that Los Campesinos! are the same band that leaped onto the scene a mere three years ago with You! Me! Dancing!. Since then, it’s seemed as if the band wanted to get away from that song, or rather that general sound of slapdash joy. Second album We Are Beautiful, We Are Doomed seemed to suggest that a move into darker, more complex territory was inevitable.

Which leads us to The Sea Is A Good Place To Think Of The Future. It’s certainly bleaker than previous efforts, both lyrically (battles with anorexia, drug use, kissing Tories) and musically. This is all slow builds with strings dominating, into the occasional explosion of noise. It’s never excitable like their previous work though. This is a song that has been precisely arranged into a thing of beauty.

I don’t know if this is what we can expect from Los Campesinos! going forward or whether we’ll be getting a mixture of this and the old shouty chaos, but on the basis of this, either one would be fine with me.

The third, currently untitled, album from Los Campesinos! is due to be released, er, sometime in the future. I think I read January somewhere. Whether or not this song is on it I couldn’t tell you. I’m a fountain of information me.

When I was first approached by BBC Music to put together a list of albums I think should be nominated for the Mercury Music Prize, I was initially hesitant. First of all because I don’t much care for awards, and if I’m honest, have never paid attention to the Mercury Prize. Secondly, because I hardly ever listen to complete albums these days. I want to be an elitist snob and pretend that I do, but most of my music is absorbed via an iPod on shuffle.

Throwing around the year’s music in my head though, I realised that it’s actually been a bloody good year for British music. I initially came up with a couple of albums, then a couple more, and it kept going from there. In the interests of brevity, I’ve limited the final tally to seven exceptional albums and a handful of honourable mentions at the end. I don’t expect a single one of these to actually be nominated for the prize, but hey, I’m happy to be proved wrong.

God Help The Girl – God Help The Girl

Okay, so it’s not a radical departure for the Belle & Sebastian mould for Stuart Murdoch’s solo/side/whatever project, but that’s no bad thing. It’s not often these days that albums tend to tell a complete story, and that is what we have here. Ably held together by Catherine Ireton and an array of guests, it’s not absolutely perfect – the Funny Little Frog cover is especially misguided – but it unashamedly embraces the album format when everyone else seems to be fleeing from it.

MP3 God Help The Girl – Come Monday Night

Dananananaykroyd – Hey Everyone!

I’m under no illusions that the prize would ever get near an album like this, but that doesn’t make it any less deserving. To find a band with this much energy on stage is rare enough in itself, but to get the same urgency on record is near impossible. Dananananaykroyd manage it, giving us one of the finest debut albums in years. It’s loud, it’s messy, and it’s a hell of a lot of fun.

MP3 Dananananaykroyd – Pink Sabbath

Camera Obscura – My Maudlin Career

Camera Obscura give us three out of three so far for the Scots. It felt like Camera Obscura had reached their peak with their previous album Let’s Get Out Of This Country. Then My Maudlin Career pops up and blows it out of the water with it’s beautifully textured songs. It’s taken more than a decade, but this is the album Camera Obscura were destined to make.

MP3 Camera Obscura – My Maudlin Career

Emmy the Great – First Love

Out of all of the albums on this list, I’d imagine First Love is the one most likely to turn up on any Mercury lists if any of them do. I can’t quite pinpoint why, but Emmy does seem to fit the slightly left of the centre singer-songwriter style that seems to have made the lists in previous years. The album is a grower for sure, but there is some stunning songwriting on display here. Emmy has only barely scratched the surface of what she is capable of.

MP3 Emmy the Great – We Almost Had A Baby

Los Campesinos! – We Are Beautiful, We Are Doomed

Los Campesinos! remain the most posted band on this blog, and rightly so. Coming out with a good first album and then following it up with one of the best albums of the year within six months is no mean feat. Evolving beyond the “tweexcore” fun of the first, this is an album that actually has emotional depth and philosophy added to the proceedings. All while still continuing to sound like quite nothing else that’s around at the moment.

MP3 Los Campesinos! – We Are Beautiful, We Are Doomed

Thomas Tantrum – Thomas Tantrum

Thomas Tantrum pick up right where the dearly missed Life Without Buildings left off. Rough, random songs jump all over the place, but the appeal here is in the voice of Megan Thomas. Breezily floating between gentle and slightly unhinged, she gives the songs an unpredictable air. That their debut album is so strong is all the more impressive given they were a pretty mediocre live band only a year earlier.

Video Thomas Tantrum – Work It

Aidan Moffat & The Best Ofs – How To Get To Heaven From Scotland

Seems only fitting that we end with yet another Scottish album, resulting in them making up more than half of the list. It’s taken Aidan Moffat a little while to find the project that suits him after Arab Strap split, but The Best Ofs seems to be it. Allowing his songwriting and voice to be front and centre plays right into his strengths and results in an album more consistent than anything he and Middleton put out.

MP3 Aidan Moffat & The Best Ofs – Big Blonde

Honourable mentions
Fanfarlo – Reservoir
It Hugs Back – Inside Your Guitar
Ballboy – I Worked On The Ships
Sky Larkin – The Golden Spike

If I was ever going to fall in love with a band based on a name alone, this would be it.

Brontosaurus Chorus are a band made up of a few boys, a few girls, various instrumentation and a love of all things indie pop. We have a slow build that suddenly launches into a big pop record. Vocal duties flit back and forth between male and female voices. Yes, my Los Campesinos! sense is tingling too. Which regulars readers will know is always something that will get me excited.

Not that Brontosaurus Chorus are exactly the same. They are from London for a start. Seriously though, their songs seemingly have more work put in to them, resulting in a sound that is rather more polished. One gets a sense that each moment of these songs have been carefully thought out, down to the tiny little flourishes. Somehow we end up with a sound even bigger than the eight person lineup the band already carries.

You’ve Created A Monster is out now on Pop Art.

Talk about your unwieldy band names. Getting the right amount of anananana is bad enough, but then there’s the double header of Aykroyd not being the simplest name to spell either. The funny thing is that the music fits the name. If you’d asked me beforehand what I’d think a band called Dananananaykroyd would sound like, I’d go with loud and fast. And that’s exactly what we have.

The thing that takes one aback about Glasgow’s Dananananaykroyd is just how loud and fast it is. The vocals jump straight in, not sung, but fucking shouted. A dual assault of two drummers quickly follows. None of this is an opening gambit, nor is it limited to the song. This is the sound of desperate for you to hear them. This is the sound of a band that makes even labelmates Johnny Foreigner sound relaxed.

The risk with music like this is whether or not it can work in a full album setting. It’s easy to run dry when you use up this much fuel in just three minutes. A bunch of singles and an EP show they are on the right track. We’ll find out in a month if their ability matches their ambition, but they certainly seem willing to try.

Hey Everyone! will be released on April 8 by Best Before. The band is also participating in new WTFblog Awesome Pals, alongside Los Campesinos!, Sky Larkin, Johnny Foreigner, Favours for Sailors and a bunch of others. In other words, the entire good end of the British music scene.

Oh Johnny Foreigner, the only band to put out a record last year that I enjoyed more than either of the Los Campesinos! records. Quite an impressive feat given there is only three of them when the other lot have seven. Even more impressive given their album, Waited Up Til It Was Late was largely made up of older, re-recorded songs. Nearly two and a half years down the line though, they still sound as fresh as they ever did.

Of course, it’s still lovely to hear some new material, so it was a nice surprise last week when the band threw up a zip file on their Myspace page containing two new songs: Ghost the Festivals and Ohai, Sentinels. The first has been around for a while now, both in live sets and a couple of videos out there in Youtubeland, but it’s nice to have proper recordings. The production may be a little rough around the edges, but I’d expect nothing less.

Ghost the Festivals manages to sum up my own experiences at Reading last year, but I imagine the language is pretty universal. From escaping the site before the riots on the final night to the endless sea of tents to hanging out in the VIP area with free drinks. Although I must have been doing something wrong as my drinks certainly weren’t free. £2.50 for a tiny glass of Coke? Jesus.

There isn’t anything particularly new in these songs. When you hit the perfect formula with your first album, I suppose it makes sense to keep it up. Which is fine with me. So long as the next record is even half as good as the first, it’ll still probably be the best thing released this year.

Johnny Foreigner Is Aces (containing both Ghost the Festivals and Ohai, Sentinels) is available to download from the band’s Myspace page for the next ten days or so. Both songs are also on an exclusive tour EP that the band will be touting during their European tour with the mighty Sky Larkin.

I know that I write about Los Campesinos! a lot. So I apologise if you don’t really like them. In my defence, I haven’t had much of a chance to write about their latest album. Once I do though, we can all move on for a while. At least until they put something new out anyway. Which at their current rate will probably be next week.

We Are Beautiful, We Are Doomed seemed to be an apt title for a second album following less than a year after their debut. It seemed unlikely that much would be as enjoyable as Hold On Now, Youngster…, and let’s face it, the band always had the feel of having one superb in them before disappearing again.

Despite everything against it though, somehow WABWAD (the best acronym ever) manages to be a superior work, demonstrating far more range. Walls of sound are introduced, abstract instrumentals and Casiotone inspired short, sharp shocks rumble through the record. Thirty minutes later, we’ve covered more musical ground than a lot of bands would in a decade.

That isn’t to the say the pop songs that symbolised the original album are gone. They’ve just evolved. The title track offers exactly what the it promises. Racing through lines about breaking people’s teeth, decaying organs and stale relationships with such exuberance you can’t help but wonder if the master track got mixed up somewhere down the line. It doesn’t matter though. By the time Gareth spits out his ultimate condemnation of society with “we kid ourselves there’s future in the fucking, but there is no fucking future”, you just want to shout it out and roll your eyes in unison.

We Are Beautiful, We Are Doomed was released back in October. Even though only 5,000 copies have been put out, with no more to follow, it still seems to be available. What the hell is wrong with you people?

A band without any pictures at all. Not the greatest of starts when you want to blog about them.

That said, it’s hard not to take notice when you get an email claiming “equal love for Times New Viking, The Unicorns, Los Campesinos! and Casiotone For the Painfully Alone.” Seeing as I love three and a half of those, I’m inclined to have a listen.

This is the kind of music that makes the likes of Casiotone sound overproduced, which is no mean feat. Everything is incredibly rudimentary, and covered in distortion, yet it’s ultimately adorable for the two minutes that it lasts. Despite the limitations, boy-girl vocals, handclaps and glockenspiels all manage to put in an appearance, giving us a sense of what Los Campesinos! perhaps would have sounded like with only two people.

The ethos of the band seems to be built around the idea of making music in the now rather than thinking it over too much. The band’s first gig will is coming up in a couple of months. Hopefully they won’t rehearse too much.

Internet Forever will play their first gig on December 11 at the The Lexington in Angel. Which is in London.

A few years ago, if Pitchfork had given an album a 9.2 rating, I’d be all over it in no time. I wouldn’t necessarily like it, but a high score at least meant it was worth trying. Now I drop in on Pitchfork about once a week, skim read the reviews of bands I already know, and leave it at that. Which meant that No Age slipped entirely under my radar. That is until they were announced as part as Los Campesino’s Shred Yr Face tour.

For some reason, I expected No Age to sound like The Thermals. I have no logical reason to think that, given I had never heard them, or even read anything about them until a couple of weeks ago. Maybe their name suggests a certain urgency or something. Whatever the reason, I wasn’t really prepared for the wall of noise I was hit by. During the first minute of Eraser, it sounds as if it is something big. By the second minute, you start to wonder if it’s little more than an interesting instrumental piece. When the vocals finally kick in, we’re already in the final moments of the song, making us desperate to hear some more. Which I suppose is what makes it so perfect as a promo mp3.